UPDATE: 4K comes to the T2i

UPDATE: According to International Filmmaker Philip Bloom, who has been in communication with the said creator of this firmware, it has been sold to Canon. Please be advised that this is only information that was sent to him via email. HD DSLRs have certainly shook the game up forever, but for now, Magic Lantern is what we have on hand, and proven. Check out Philip's blog to read the humorous, original email.

Happy New Year! As we said previously, you will not find rumors on this site. But some things you just can't miss. A 3rd party firmware will be released next year on 1/1/11, according to PetaPixel, CrunchGear and a guy on YouTube known as "Earz62801." According to the posts, the firmware will allow 2K, 3K and 4K recording on the T2i between 45MB/s and 175MB/s. He also plans on releasing updates for other members of the EOS family. The max recording time for 4K is 6 seconds. Given the unfamiliar background of the creator, and the sudden announcement with a 1/1/11 release date, this likely is about as real as the RAW video 5Dmkii. However, it certainly is more feasable.

On a more legitimate note, Canon did reveal it's 4K DSLR-like concept earlier this year.

Motivational Quotes - Robert Rodriguez Jr

Photo: Robert Rodriguez Jr.

Motivational quotes are among the favorite searches on Google. Whether you are looking for actual motivation or if it's just a novelty search, quotes do carry a certain amount of power. The above is an image from Photographer Robert Rodriguez's Blog that was accompanied by one of his favorite quotes:
“If you limit your choices only to what seems possible or reasonable, you disconnect yourself from what you truly want, and all that is left is a compromise.” - Robert Fritz
Robert has a whole page of his favorite quotes, accompanied by his work, which makes a truly inspiring read. Robert is a Landscape Photographer based in New York and heads the Beyond the Lens Workshop.

Followup: Lunar Eclipse

f/9 200mm 1/250 | Copyright www.photogblogger.com
This morning around 1:30am, the Northern Hemisphere awoke to an amazing site. December 21 marks the first time in over 350 years that a lunar eclipse occurred during a solstice. For a gallery of images from around the world, head over to the Huffington Post.

Lunar Eclipse and the Solstice

Photo: Martin Pugh

This generation has witnessed many historical occurrences. From the "brightest moon" to the devastating hurricanes and the most recent oil spill, Photojournalists have given us stories that seem to be out of the next Hollywood film. Tonight, it continues with a total Lunar Eclipse. What makes this particular occurrence a once in a lifetime event is that it will occur during a solstice. The last time this happened was in 1638, over 350 years ago.

The eclipse will be visible from 1:33 to 5:01 a.m. EST Tuesday, with the total eclipse starting at about 2:41 a.m. This is also the darkest night of the year for those in the Northern Hemisphere so expect to see some very vivid red and purple tones. North America, Greenland and Iceland will have front row seats, while Europe and Asia will catch glimpses at the beginning and ending stages. If your batteries aren't charged, charge them now, you don't want to miss this!

TIPS:
*Don't slow the shutter down too much, remember the Earth is spinning and can create blur.
*Try not to shoot wide open apertures. Often a couple stops down will yield a sweet spot in the lens delivering a crisper image.
*Use at least a 200mm lens. The closer you can get, the larger your subject will be and you will easily pick up detail the eye can not see.


Links:
NASA eclipse guide (Eastern Time Zone)

Jaguar - Richard Swanner

Photo: Richard Swanner

Richard Swanner is an Entrepreneur spending most of his time in Sales. But as you can see from this stunning capture, he can easily wear the title of Wildlife Photographer. Here he has an image of a beautiful Jaguar, which is the third largest feline (hey, we all remember Zoobooks, right?).

Richard is based in Richland, California and has a gallery full of great images. Richard's gallery.

Gear: Canon 1Ds MkII | 70-200mm f/2.8L IS II

RED Scarlet First Video

For years now, people have been talking about the RED Scarlet. Remember, it was discussed even before the Canon 5DMKii was released, and to some extent Canon enjoyed much of the thunder that very may well have went to the Scarlet if it was released sooner. Not only was the 1080p capable DSLR born, but it has already evolved. So does the Scarlet still hold any weight? What is the market? Let's look at the specs:

- 5" LCD Touchscreen
- Fixed 8x Lens
- CF memory slot (option)
- HDMI port
- up to 120fps (150fps burst)
- 3K Image
- 720p or 1080p scaled recording
- 2 independent microphone level channels
- 48V Phantom Power
- HDR stills mode
Also, all of the modules and accessories are compatible with the EPIC.

MSRP (8x Fixed): $5,750USD

So it looks like the Scarlet is still on the course it always was, game changer. This is a video camera, not a still camera that shoots video. The only thing that may deter some is the lens ring design, which is a single ring that can be set to zoom, iris or focus. Great for aesthetics and ease of use, but you lose the ability to zoom and focus at the same time. RED does offer a body, or "brain" only with a selection of prime lenses.

The RED Scarlet has been shown off in a few photos this year, but this is the first video walk-around of an actual working camera.

LINKS:
Tonaci Tran Blog
RED EPIC

Canon Mode Dial Modification

Canon has announced that it will offer a $100 service to the 7D and 5D Mark II camera bodies. The modification includes adding a lock mechanism to the mode dial. Some users have reported that the dial could easily turn to a different setting while using the camera. On Canon's website, it states:
"This modification is available, for a fee, to owners of these cameras who would prefer a Mode Dial which locks in place and can’t be accidentally moved during normal camera operation."
The words "during normal operation" make this seem like a flaw in the design, but in reality most users do not need a locking dial. Still, many will attest this should be a free fix rather than an "upgrade." And the feature does come standard on the 60D. I think it would be great of Canon to give new customers the option when ordering a body, which would carry a much lesser fee.

USB Follow Focus

There are a lot of DIYers out there, and mostly because accessories are just too expensive. If you can afford the flash, you can't afford the modifier. At least this was the case just a few years ago. Today, DIYers are our Entrepreneurs. With networking storming onto the internet, a DIY project can go from your garage to the world within hours. That means a lot of people will be interested, and soon you might just call your yourself SmallHD.

Just three months ago, the project here was a prototype follow focus consisting of a circuit board and a battery pack. It was constructed by Slippers [Cinema5d] and he kindly updates us on every step of the process. As you can see, the unit is barely larger than the 2AA batteries powering it. This is already ideal, but the redesign is even smaller. Slippers mentions that the unit was already completely functional as-is.



Here is the video of the follow focus in use:


More info on the unit can be found in the links below.

Links:
Original Thread
Programmer
Video tests

bluSLR App

Many Photographers have made at least some use of the popular iPhone apps such as Best Camera and FX Photo Studio. But these are tools to help take better pictures with your iPhone. What if you could use one to take photos with your DSLR? bluSLR answers that question.

bluSLR is an app for the iPhone that allows you to remotely release the shutter. It connects to the body via a bluetooth dongle, and allows you to communicate using your touchscreen. It also lets you adjust focus! Other features include a GPS location map tool. This adds metadata to your images that map your latitude and longitude. You must have at least an iPhone 3G, 2G iPod Touch or iPad or to use this app. Android support is coming soon.

Currently only available for Nikon, the bluSLR is statused for pre-order, shipping on December 20.

MSRP: $149.00USD

PRODUCT ANNOUCEMENT:
XEquals today announced the release of blueSLR, a Bluetooth accessory made for everyone who loves to take pictures. Whether you are on a paid photo shoot or simply want to snap a photo of a loved one, you can now use your Apple iPhone, iPod Touch, or iPad to remotely control your camera shutter and geocode any photograph. Discover a new way to both map your memories and wirelessly control your DSLR camera from up to 300 feet away. blueSLR connects to your camera and is then controlled by your compatible Apple device as the remote.

blueSLR is one of the first certified accessories to use Bluetooth to interact with compatible Apple devices. It is compatible with 11 different Nikon camera models, including the latest D3100, D7000, and the ever-popular D200. Visit http://blueslr.com/Compatible for a list of supported cameras. Future support is planned for Canon cameras, as well as Blackberry and Android phones.
Key Features
Here are some cool things you can do with blueSLR.

GET IN THE PICTURE

* Use blueSLR to wirelessly control your compatible digital SLR camera and snap pics from up to 300 feet away.
* Don’t miss another career-making shot again! blueSLR is fast, so there is no waiting time between photos.
* Connect blueSLR to your compatible digital SLR camera and use your compatible Bluetooth device to adjust your camera’s focus, shutter speed, or timer.
* blueSLR is small enough to stay attached to your camera so it goes wherever your camera goes.


MAP YOUR MEMORIES

* Use blueSLR to record when and where in the world you took your photos by encoding precise location including latitude, longitude, and elevation, as well as speed and direction right in the photo metadata.
* Share your photos on MobileMe, Places, Flickr, or Picassa and they’ll be visualized on a map.
* Protect the copyright of your photos by using blueSLR to accurately record when and where your photos were taken. blueSLR will provide you with definitive proof that you are the owner of your creations.
* Sort your photos on sites like Places or Flickr based on where they were taken using blueSLR’s sophisticated GPS geocoding technology.


Pricing and Availability

blueSLR is available now for $149 and can be purchased from www.blueSLR.com.

Customers who pre-order by December 6, 2010 get free shipping. Delivery will commence the first week of December 2010.

Included in each shipment is the blueSLR accessory and QuickStart Guide. The software is downloaded dynamically once the blueSLR device is paired with the Apple compatible device (sold separately).

iPhone, iPod, and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. iPad is a trademark of Apple Inc.

Which Hard Drive Should I Buy?

www.curtisharper.com

With the cost of data storage devices these days, more Photographers are able to have plenty of space, and more importantly, a solid back-up. When searching for a hard drive, remember that price does matter. This is one case where the brand name makes a difference, and even so it goes beyond the brand down to the particular model. Some drives are simply built stronger and can last a lifetime. Yes, a lifetime! Two of the most popular brands are Western Digital and Seagate. Are there better options, maybe, but expect to pay at least 3x the cost but receive little to no performance increase, or any other real benefits for that matter.

When searching for a drive, you first need to consider your performance requirements. Drives come in 5400RPM and go up to 15000RPM+. Think of it as a motor, 1000RPM is slower than 2000RPM. The standard is 7200RPM and is usually capable of any day to day computing, including editing.

Next, you need to know what type of connection you have. Most new systems will include SATA 3 connection, but check your motherboard to be sure. And remember an important step to take before installing any components is to check for clearance issues. Sometimes other components may get in the way of your connectors. When you have 3 or 4 of these in a case, it starts to get crowded.

Beyond this, cache and size are almost irrelevant. Any decent drive will have at least a 16MB cache and you simply purchase the size drive you need. Perhaps a 250GB for the Operating System, and 2x1TB drives for data storage and backup. Remember, the drives that will be in active use should be at least 7200RPM.

Last but not least, check the warranty. Some drives include a 5 year warranty, some a 3 year and almost all others come with a 1 year. The cost difference is usually within $30, so try to get the longest available. Sure there may be some drives that are just so cheap that you won't care if it fails in a couple years, but then you have to go through the hassle of replacing more often. Time is money. Also drives usually fail unexpectedly, but here are a few warning signs.

Till this day I see no benefit in having a Glyph or similar priced drive. The only true benefit I see is their sleek designs and free recovery service. This entitles the original owner to two years of free recovery and service of a faulty drive. But consider the following: 1) Back up your data 2) Should you worry about a drive like this failing in 2 years? 3) They still offer no guarantee. Before opting for one of these drives, I would consider something like a Drobo. This device allows you to connect multiple drives as one, simply replacing a single drive should it fail.

Taking Images with a Dirty Lens

kurtmunger.com

Most Photographers are pretty tedious when it comes to keeping their glass clean. They carry around at least a micro-fiber cloth, or a cotton corner of their shirt in case of an emergency cleaning. At the very least, it certainly is annoying to be walking around with an oily fingerprint on the front of your element. But when it comes down to it, how often have you taken a photo, and said "oh, this Smudge got in the way?" Probably not that often. And why would someone name their kid Smudge?

Whenever you do have an obstruction on your image, it is probably due to dust on the sensor itself. There are tests you can do to explore this, but if you can't see it in the image, why bother? Cleaning the sensor is not exactly wiping off a front element. It's not so much that it's a hassle, and a delicate process, but the fear that you could actually make it worse. If you are confident and handy, take your time and it can be done well. Otherwise send it in to the manufacturer if you aren't comfortable doing it yourself.


Image Copyright Christine Gacharna

In the image above, Christine clearly marks the dust on the image. She also guides you through her [dangerous] cleaning endeavor. Here are a few tips to make sensor cleaning easy:

1) Look for menu items to aid in cleaning. Newer cameras such as the Canon 40D include options like "auto clean" and "clean manually." Cleaning manually locks the shutter open, giving you access to the sensor.

2) Try to remove dust without even touching the sensor. Blower

3) If you are not comfortable calling yourself a technician, send it in to one.

Another thing worth mentioning is that some cameras provide special features just for "removing dust." Many EOS cameras include the "Dust Delete Data" function, which allows you to communicate the issue with the DPP software. It allows you to add additional information to your photos, as you take them. When you import to your library, DPP will give you an option to automatically remove dust on all the images. This won't be ideal for every situation, but sometimes could be a great help. Personally I would set up a Photoshop action. This is if the camera's auto cleaning isn't suffice.

Another way to test this is to evenly light a white wall. Set your aperture to f/16 and take the photo. Import into your editing software and zoom in to 100%. Any obstructions will be apparent.



For more on this "Dirty Lens" write-up, and to see what type of image this lens takes, visit Kurt Munger's website.

Compulsion - Jason Wingrove

This is the teaser for Compulsion, a short by Cinematographer Jason Wingrove. It was shot with Sony's new PMW-F3 and Zeiss lenses. Additional Cinematography by Tom Gleeson.

BlackBerry Playbook and iPad Comparison

Some Photographers, including some major players, make use of the iPad as a viewing tool for their images. This is a pricey monitor, but chances are they make use of the other features as well. Some are choosing to wait and see what other options become available. Right now a reputable contender is the RIM Playbook. This is the first side by side comparison [posted by BlackBerry].

DigitalRev talks about some tools and related apps that Photographers might consider. Also, you can join the conversation over at Photo.net

New Body, Old Flash

Each Photographer is different. Different ideas, different needs, different budgets. A popular discussion that is always brought up is the possibility of using older flashes on newer bodies. It is a dangerous thing to do because of the different voltages present in each device, but some brave souls do it. Not everyone can afford the SB900, and not every one needs a 580EXii. Some of us will go for the Vivitar or even the Opteka. If you are say shooting on a Canon 50D and looking at the Vivitar 283, this may be a bad idea. Not only because of it's low power output, but because of the risk of frying circuitry on the flash or even the camera body. And personally, I would recommend the YongNuo units if you're considering a third party.

Why does it have to be so difficult, right? Well it's not. Wein makes a product called the Safe-Sync. This device regulates and reduces the flash sync voltage of the flash from up to 400V to less than 6V, making it safe to use all flashes on your camera. It also provides a PC female flash connection, in which you can feed to a second flash if you so desired. B&H Photo sells these for less than $50.

If you haven't purchased a flash yet and don't want to worry about extra accessories, the Vivitar 285HV is made for the newer camera bodies like the 50D. Or for a few dollars more, you can grab one of the YongNuos mentioned above. Be sure to look for the features you may need such as ETTL, Guide Number and swivel head etc. The ultimate goal is to have controlled light. Any of the units mentioned will take you leaps further than an on-camera flash.

Sony Announces PMW F3K

Earlier this week, Sony officially announced the much speculated PMW F3K. The super 35mm CMOS chip sits comfortably behind the cinematic PL mount, and you also have the option to purchase it as a body only [PMW F3L]. It records in 1920x1080, 1440x1080, and 1280x720 at 23.98/25/29.97p, 50/59.94i and, in DVCAM mode, 25/29.97PsF and 50/59.94i. It records to the 4:2:0 color space, but by the use of HD-SDI dual-link output you get 4:2:2 1080 50/59.94P as standard; and RGB 1080 23.98/25/29.97PsF as an option.

Take all of these great features and add them to the XDCAM workflow, and you have the film-maker's camera. The DSLR footprint in the industry demanded more options for film-makers, and now we have them. The Sony records at a "modest" 35mbps, but remember it is an actual video camera, made to shoot video. Pricing is not official, but expected to be around $22,000USD body only and $28,000USD for the kit. The PMW F3 is currently set to ship in January, so pricing should be made apparent very soon.

PRESS RELEASE:
Sony strengthens super 35mm digital production line-up with groundbreaking new camcorder
Nov 8, 2010
New PMW-F3 joins F35 and SRW-9000L as latest S-35mm innovation, delivering high-end performance at an "indie" price

Basingstoke November 8th, 2010:- Representing a breakthrough for filmmakers in terms of features, performance and price, Sony Professional is adding to its line-up of Super 35mm digital motion picture camera technologies. The family, which includes the legendary F35 and the recently announced SRW-9000PL, is now joined by the all new PMW-F3 camcorder.

Each camera in the line-up is based on a Super 35mm sensor and PL mount technology, and illustrates Sony's unique ability to offer filmmakers access to the highest-quality imaging tools and most complete digital production workflows.


The new PMW-F3 is the latest example of Sony's efforts to combine performance and price into a powerful and affordable production tool. Designed for television, commercials, music promos and budget features, the new camcorder is offered at a price point that will bring Super 35mm shooting within reach of a wider audience.

That, and the availability of a low-cost PL lens kit model which includes 35/50/85mm T2.0 fixed focal length lenses, makes it ideal for use as a 2nd unit 35mm camera or as a B camera to the SRW-9000PL.

"Sony has a long and successful track record of developing digital motion production technologies," said Bill Drummond, Strategic Marketing Manager at Sony Professional Europe. "Our cameras have shot everything from documentaries to big-budget blockbusters, totaling many billions of Euros at the box office. With the new PMW-F3, we're putting the full power of our expertise to work, to bring precise control over depth of field, and access to the huge range of cinematic lenses available to a wider range of users."


The new PMW-F3 camcorder is based on Sony's XDCAM EX workflow (codec is MPEG-2 Long GOP 4:2:0 8bit, 35 Mbps), and uses Sony's SxS™ ExpressCard-based recording media format. Its Super 35mm CMOS imager delivers shallow depth of field, with high sensitivity and low noise levels (ISO 800, F11; and S/N ratio of 63dB in 1920x1080/59.94i mode), as well as wide dynamic range.


The camcorder offers a wide range of image creation options, as well as the ability to seamlessly inter-cut PMW-F3 footage with content shot on Sony's F35 or SRW-9000PL cameras - through the use of an HD-SDI dual-link output for external recording (4:2:2 1080 50/59.94P as standard; and RGB 1080 23.98/25/29.97PsF as an option).


Additionally, "S-LOG" and "Hyper Gamma" can be selected. This can allow users to take full advantage of the CMOS imager's wide dynamic range, giving them the ability to tailor their images during post-production in the same way they would in a film based workflow.


Recording formats include 1920x1080, 1440x1080, and 1280x720 at 23.98/25/29.97p, 50/59.94i and, in DVCAM mode, 25/29.97PsF and 50/59.94i. Filmmakers can also take advantage of 'slow' and 'quick' recording, also known as "overcranking" and "undercranking" from 1 to 30 fps at 1920x1080 (17 to 30 fps in dual-link mode) and 1 to 60 fps at 1280x720 (17 to 60 fps in dual-link mode).

The PMW-F3's PL mount adapter can accommodate both PL and zoom lenses, and will offer compatibility with a variety of cine lenses such as Cooke, Arri, Fujinon and Zeiss.

Sony is also announcing its plan to introduce a compatible SR Memory Portable Recorder for the PMW-F3 camcorder. This will add a high-end workflow option as well as full RGB capability providing native recoding in HDCAM SR codec.

"We demonstrated a prototype PMW-F3 on our stand at IBC and have been inundated with requests for more information ever since. It's great to be able to unveil the full list of features, and announce that first deliveries will be made well in advance of what many customers may have been expecting," concluded Drummond.

Two configurations of the PMW-F3 will be available (PMW-F3L body only and PMW-F3K with PL lens kit). First deliveries of are scheduled for January 2011.

Street Photography - Stephen Jackson

Photo by Stephen Jackson

Street Photography isn't always capturing what you "see," but capturing what's really there. It is easy for any Photographer to slap on a 70-200 and go out capturing everything that meets the eye; but lets not forget the objective of Photography, which is to visually represent a moment in time. If you see someone in a pair of flip flops sipping a cup of coffee from across the street at 6am, sure, you can capture that. But what story can you tell? What if you took the time to find out why someone in flip flops would be up that early? Maybe you will find that they are a college student getting free internet before an exam, or maybe he's a Surf Photographer waiting on a client? How will this change the way you photograph this person? How will this change what you see?

Stephen Jackson is a 24 year old Photographer out of Valdosta, GA. He very much embraces the art of communication when it comes to photographing others. This is Street Photography at it's best. Photography that not only shows what meets the eye, but goes a step deeper. More on Stephen's blog.

Vimeo Hits the iPhone

logo ^© Vimeo, LLC

Great news for iPhone users, Vimeo has integrated a new player that supports playback on both the iPhone and the iPad. So even though your $500 device doesn't support flash, it does support HTML5. They also now utilize a "watch later" feature which allows you to create a playlist for later viewing. Vimeo is the video host choice of professionals that want to deliver professional content. For more goodness visit Vimeo.com.

A Wedding at Yosemite

Photo by Patrick Pike

There are a few good Photographers, fewer Wedding Photographers and even fewer good Wedding Photographers. We will stop there. Well, one more, there are even fewer good Wedding Photographers that shoot at awesome locations, 90% of the year. The striking exposure above seems as if it's straight off the big screen, and is one of many from Patrick Pike's portfolio. Patrick is a Wedding Photographer in Yosemite National Park, California.

One thing that is important about wedding photography is capturing people's every "moment." You're not just after portraits of the family or that moment they transfer rings. You are after every aspect of the most important day of most couple's lives. You have to re-tell a visual story that they will want to remember over and over. Family, bridal party, friends, flowers, decorations, food, the kiss, cake cutting, the list goes on. Oh, and you have to be creative, and in most cases nail it on the first shot; it may be the only shot you get! Anyone interested in going into wedding photography should seek out someone with experience and try to work under them for a few months, rather than practicing on a couple with a tight budget. Even just shooting with others will allow you to absorb more info in a short amount of time.

Be sure to check out Patrick's blog! He offers a few tips on locations and shares his experience working with other professionals.

The Bahamas in Technicolor

This breathtaking piece was shot by Cinematographer Ryan Lightbourn. Ryan is a Music Video Director based in Orlando, Florida. Just as many others did, he recently embraced the new DSLR technology that Photographers either love or simply don't find useful. Here he travels through Harbour Island & Abaco capturing a variety of shots and telling a great visual story. Ryan's video was recently featured on Vimeo.com.

Leong Chee Wai - Sleeping Bees

Image Copyright Leong Chee Wai

Here is a wonderful capture by Photographer Leong Chee Wai. A few bees seem to be taking a little nap. Leong did a great job with exposure and really put the Tamron [AF90mm f/2.8] macro lens to use. Photographers like this constantly remind us that this is indeed an art-form, in which you choose your own paint-brush to make a masterpiece. We hope to feature more of Leong's work.

Think Tank Sling-O-Matic Review

The Think Tank Sling-O-Matic series was released last month, and so far has received mixed reviews. It seems either most love it or hate it [based on original design feedback]. This not a bag for everyone, so if it is for you, chances are you will love it! Thanks to Ben Jacobsen for this great review.

I have not seen the bags available directly through Think Tank, but they are currently shipping from Adorama, with the original Think Tank Lifetime Warranty.

Canon 5DMkii firmware update 2.0.8

Canon has released firmware update 2.0.8 for the 5DMkii. They address the following functionality issues:

1. Fixes a phenomenon in which movies are not taken at the shooting mode registered in the user's settings if a shooting mode Aperture priority (or Shutter priority) is registered in any of the camera's user settings (C1, C2, C3) and the user attempts to shoot a movie.
2. Fixes a phenomenon in which the shutter will not release when pressing the shutter button when the auto power off function is set to "on".
3. Fixes a phenomenon in which overexposure occurs when shooting a Live View shooting simulation with the ISO speed set to L.
4. Fixes a phenomenon in which the settings of the Speedlite transmitter ST-E2 revert to the default settings when both the camera and the ST-E2 are set to auto power off.
5. Fixes a phenomenon in which the Macro Ring Lite (MR-14EX, MT-24EX) and slave flash do not sync while shooting wirelessly.

Download firmware

If you are unsure what version of firmware you have, press your < MENU > button and scroll over to the third "settings" tab. The current version will be notated on the last row.

Warning About Lasers and Photography

Image from Canon 1DMk3: Source garibaldiphoto.com

The photo above is the result of a laser being pointed directly into a lens, and hitting the image sensor at the right (or wrong) angle. Though this does not happen all the time, a few cases have surfaced. Usually it is hard to pinpoint the cause, especially when shooting stills, but the result is a horizontal line (or crosshairs in this case) across the exposure. As each case is similar, it has been proven that there is indeed an issue when shooting near powerful lasers, though this is not always the outcome.

It has been reported that using the live view function may increase the chances of this happening. But when shooting normal [stills], the shutter protects the sensor from damage, as long as it isn't open! Please do not take this warning lightly, insure your equipment and know what it covers. *Note, insurance does not cover intentional carnage.

Here is a video clip of a similar mishap on a 5D Mkii:


Though this photo was very helpful to the Photography community, I promise, Christian actually does have more interesting shots.

FGV PL7D

Image courtesy of FGV Schmidle

Bandpro.com distributes a product called the FGV PL7D [PLxD]. This is a product by FGV Schmidle that permanently converts the already classic xD series camera to a well oiled cinematography machine.

The modification includes a one piece, solid steel mounting plate that connects the sensor, mount and base. Also included is a 3-pin Fischer socket to start the camera using an LCS or RS-4 remote. No mistaking it, this bad boy accepts all standard PL mount lenses. Click here for the full specs.

Shot of a Lifetime - Mark Pain

At the Ryder Cup this past weekend, Photograoher Mark Pain [Daily Mail] captured the shot of a lifetime. The last time we saw anything remotely as remarkable was the shot of the 550lb Marlin. Pain was not in the wrong here, it was simply a missed strike for Tiger. Either way he felt the impact, and had to gracefully move on. For those interested, Tiger finishes with wins 4&3 against Europe's Molinari.

Panasonic AG-AF100 at DVExpo - Dan Chung

Last week, we brought you the overview of the Panansonic AF101. Now we have a more unbiased look from Jan Crittenden Livingston of Panasonic USA. Dan Chung [DSLRnewshooter.com] asks Jan some key questions, including what the benefits are when comparing this to a DSLR. The camera is set to ship this December.

MSRP: $4995USD

Fake Model/Tilt Shift

At first thought, the term "fake model" sounds like an oxymoron. Well, in fact it is. You see, an oxymoron is something that is seemingly self-contradictory. Ok, you're not here for an English lesson. But, a quick history on tilt-shift lenses.

The function of a tilt-shift lens is to allow you to have a wide depth of field all the way to maximum aperture. This is achieved by literally tilting and shifting the angle of your focal plane. However, just as with standard lenses, people get creative. One way to do this is by creating these interesting fake model shots. These types of shots are very engaging because usually an artist models reality through interpretation, but in this case, reality is directly replicated in a photograph, and is reminiscent of a model. In the image above, the trees really do look 1 inch tall, when in reality this is a real place.

If you are interested in learning how to make these images, check out this tutorial. Gimp users click here.

More fantastic images by Quemas.

Blackberry Playbook - RIM

UPDATE: The device is officially called the Blackberry PlayBook. It has a 3 mp front facing camera and a 5 MP in rear facing camera. It runs the QNX operating system.

Speed is always an important factor in this industry, and so is productivity. Talent and business practice fit in there as well. Then there is also the "flash" factor, no pun intended. Well, the iPad seems to at least dabble in most of those categories at least a little, so it has become a popular device among some popular Photographers, one being Scott Bourne.

Many users quickly reserved their iPad well before it was released, while many more picked one up on opening day or shortly after. At the $499 price point, some decided to pass. Others decided to wait for manufacturers to release a similar product, just as they have with other popular Apple devices like the iPod and the iPhone. Well, the wait is almost over. Manufacturers such as Dell (already released), HP and Samsung are all reported to have devices on the way. The latest news to surface is that of the RIM BlackPad. RIM has not released any information on the BlackPad, but hopefully they will come up with a more creative name.

Another device that people are looking forward to is the Samsung Galaxy Tab, announced earlier this month. The Samsung features a 7-inch, 1024x600 display, Android 2.2 OS, 1GHz processor, 16GB of internal memory and support for Adobe Flash 10.1. The Galaxy Tab is set to begin shipping in October. As for the BlackPad, we are hoping for more details at the Developer's Conference on Monday.

Sigma Announces New 120-300 f/2.8

Sigma has announced it's new 120-300 f/2.8 image stabilized [OS] lens. The lens is said to boast a weather resistant body and a fast, quiet HSM motor. The original version of this lens received average reviews, with complaints on speed of the auto-focus and it's weight. Sigma tagged their original 120-300mm as "compact & light-weight," but it weighed in at a whopping 5.7lbs, 2 lbs heavier than the Canon 28-300. The MSRP has not been released, but the original version of this lens was announced at $4200USD.

Other improvements include better optical performance, reduced flare and ghosting and better correction of chromatic aberrations. Unfortunately the cost of R&D is passed down to consumers.

R.I.P. VDSLR?

Not anytime soon, if ever. This HD video technology just recently reared it's head in the world of the DSLR and is still in it's major evolving stages. We have already went from 720 to full HD, from no control to manual control and from 30fps to 24/25/30/60fps. The video DSLR market is not only too fresh to be coming to an end, but it is still evolving in major ways - mostly due to a direct response from consumers. If you consider the demand and capabilities of these tools, you will understand why the 7 month old T2i is still sold out at some dealers. Sorry Frank.

What some fail to understand is the basic principle which has existed since "High Quality" became a relative term; and that is that there are many tools available to the industry. The DSLR is a DSLR no matter what you use it for. Not to mention film which has been around for two centuries, and still seen on the Hollywood set. HD capable DSLRs have barely been here for two years, so believe they will run their course. Even worse is to compare this sub $2k technology to a $10k+ technology. If you have the budget, you will proceed accordingly.

It was hard for some seasoned Photographers to make the leap to DSLRs, but the movement can not be denied. This isn't your S-VHS upgrade. Canon especially has provided the tools necessary to deliver compelling imagery. The fact remains that you need to be talented and know how to use the tools to follow through. And that's what a DSLR is, a tool, a still camera, not a video camera. So camcorders aren't "back" on the scene. They never left, neither did film.

7D vs 5DMkii Noise Comparison

POTN member Teamspeed put together a great comparison of the two bodies. As expected, the noise being created on the FF body of the 5D is less than that of the 7D, but the latter did perform quite well. It was noted that the images do have different focus points, so this comparison should be referenced for noise performance, not sharpness. One other note is that the colors on the 5D are a little more vibrant. It is unclear if this is due to difference in factory settings. The following are out of camera JPEGs, 100% crop. For a comparison of RAW conversions, click the link below the images.






References:
Original Images
Raw conversions [thread]
More Teamspeed Photography

Scott Thompson - Praying Mantis

When you get to know most people, you get to know unique things about them. Some people are very meticulous, some people love pancakes and many have a degree that is unrelated to their profession. Well you may not know Scott Thompson, but he has a nack for the Praying Mantis. Scott is a Photographer in the United Kingdom and has taken great interest in insect macro photography. Above is a beautiful, yet intimidating image of an Orchid Praying Mantis.

See more on Scott's Flickr.

Canon 60D Walkthrough With Mat Gallagher

A lot of people, Photographers included, have been questioning the xxD update's validity. Some feel that it's not an "upgrade" at all. Mat Gallagher of What Digital Camera does an interview with David Parry [Canon UK], which gives a wrap up of the sticky features, including "better weatherproofing than the 50D, but not as good as the 5D."

Flash Drives to Match

Image courtesy of pixelelement

Being a Photographer means that you often are in a situation where you are transferring media. With the size of small media cards growing and dropping in price, it is becoming less necessary to do this in the field. The one major exception being events. Whenever shooting an event, you want to be sure you are carrying images on more than one device.

Just as you show your style through your shooting, your car and your attire, you can also do it with your flash drive. The only time I use flash drives is when transferring data between editing suites. One interesting drive that caught my attention was this Transformers (only available in 2GB). With the upcoming release of Transformers 3 I would expect an increasing spike in sales.

To see the original post and other cool flash drives, head over to pixelelement.

Nikon Launches Coolpix P7000

Nikon has officially announced their newest member to the Coolpix family, the P7000. The small digital camera boasts a 10.1-megapixel 1/1.7-inch CCD sensor, behind a 7.1x wide-angle [28-200mm] NIKKOR ED glass lens. It also features 720p HD recording at 24fps (this can not be adjusted). The camera also has some features that you may not expect, such as the 1.3fps continuous shooting mode, RAW file function and native ISO6400. More at nikon.com

New Thinktank Sling-O-Matic™ Series

Image courtesy of Think Tank Photo

Thinktank has been around since 2005, and lately generated quite a presence in the Photography world. Their latest release, set for October, is the new "Sling-O-Matic" bag series. They have announced the Sling-O-Matic 10, 20 and 30. The number simply relates to the size of the bag. As with all Thinktank accessories, their motive was to produce something innovative and something that is needed. One thing essential in most scenarios is speed. The shining point of the Sling-O-Matic series is the ability to wear the bag on either shoulder, while still maintaining top-access. The bags feature a fully padded shoulder strap, and even the smallest model can fit up to 200mm of L glass. More details about the Sling-O-Matic™ 10.

New iPod Touch goes HD

Image © 2010 Apple Inc. All Rights Reserved.

The new iPod Touch looks promising, just as most Apple products do on their glamorous facade. A few Photographers ventured out and made a feature film [or at least a trailer] with the release of the iPhone4 and it's HD video capabilities. Now with the release of the new iPod Touch, Apple has included the same video features. Yes, 720p video on your iPod. Remember some video cameras don't even come with this famous frame-rate.

For your viewing pleasure, the famous "Apple of My Eye" by Michael Koerbel (shot and edited on iPhone 4).

iPhone 4 film - "Apple of My Eye" from Michael Koerbel on Vimeo.

Wedding Fight in Ulyanovsk, Russia

So much for professionalism. Very, very sad. A couple members of the crew loose their cool at a wedding in Ulyanovsk, Russia.

Canon 60D Video

Video from Chris George of PhotoPlus Magazine. Here Chris gives us a quick hands-on with the camera. Click here for part two.

First Shots: Canon 70-300mm f/4-5.6L

All images protected by copyright

More news from the Canon Expo. Just as soon as most heard about the new 70-300L, pics and sample shots have surfaced. Most impressions from these admittedly quick shots are favorable, but it must be noted the lens is still considered a prototype. These images were taken with a Canon EOS 1D MkIV.

@70mm


@100mm


@200mm


@300mm


More from "Prodigy83" on Flickr.

Canon Develops World's Largest CMOS Image Sensor

Even the die-hard Canon user can admit that Canon usually prowls the forest and lets all of the other animals run out into the light, before unveiling a meaner and smarter beast. However, the image sensor is nothing new. At the end of the day, any professional Photographer will tell you they want the largest sensor they can afford, at least for commercial work. The larger sensor isn't always needed, but when you have it, all limitations dissipate.

Well now you may have to re-think what the largest sensor will bring. Canon has successfully developed the world's largest CMOS image sensor with a chip size measuring 202 x 205 mm! Canon states that the sensor is capable of capturing images in one one-hundredth the amount of light required by current professional DSLR cameras. It is about 40 times larger than the standard 35mm sensor, resulting in 120 megapixels.

PRESS RELEASE:

Canon Succeeds in Developing World's Largest CMOS Image Sensor, With Ultra-High Sensitivity

LAKE SUCCESS, N.Y., August 31, 2010 – Canon Inc. announced today that it has successfully developed the world's largest*1 CMOS image sensor, with a chip size measuring 202 x 205 mm. The sensor is capable of capturing images in one one-hundredth the amount of light required by a professional-model digital SLR camera due to its expanded size enabling greater light-gathering capabilities. Potential applications for the new high-sensitivity CMOS sensor include the video recording of stars in the night sky and nocturnal animal behavior.

At 202 x 205 mm, the newly developed CMOS sensor is among the largest chips that can be produced from a 12-inch (300 mm) wafer, and is approximately 40 times the size of Canon's largest commercial CMOS sensor.*2

In the past, enlarging the size of the sensor resulted in an increase in the amount of time required between the receiving and transmission of data signals, which posed a challenge to achieving high-speed readout. Canon, however, solved this problem through an innovative circuit design, making the realization of a massive video-compatible CMOS sensor possible. Additionally, by ensuring the cleanest of cleanroom environments during the production process, the sensor minimizes image imperfections and dust.

The increased size of the new CMOS sensor allows more light to be gathered thus enabling shooting in low-light environments. The sensor makes possible the image capture in one one-hundredth the amount of light required by a 35 mm full-frame CMOS sensor, facilitating the shooting of 60 frame-per-second video with a mere 0.3 lux of illumination.

Through the further development of distinctive CMOS image sensors, Canon will break new ground in the world of new image expression, in the area of still images as well as video.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine's World's Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of "100 Best Global Brands." Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
###

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

*1 As of August 27, 2010. Based on a Canon study.

*2 The approximately 21.1 megapixel 35 mm full-frame CMOS sensor employed in the company's EOS-1Ds Mark III and EOS 5D Mark II digital SLR cameras

Canon 4k Concept Camera at Canon Expo

Image is property of Philip Bloom | PhilipBloom.net

At the Canon Expo in New York this year, Canon has their 4k concept camera on display. Not many details are available yet about the 8 megapixal, 2/3″ CMOS, 20x Zoom lens camera, but Philip Bloom got a hands on at the Expo earlier today.

Digital workflow and Backup - Chase Jarvis

Any professional knows the importance of data. It is your capital, your history, everything that you've worked for. It's all stored as digital data. Whether you are talking about media or documents, it is important to keep all of your files safe. Some do just the minimum, but some do it right. Above, international Photographer Chase Jarvis explains his entire workflow, as well as his backup procedure. Chase also today introduced his new book Seattle 100: Portrait of a City. It is currently available for pre-order. Chase's blog.

Sigma Releases 70-200 2.8 for Nikon Cameras

Sigma launched it's new APO 70-200mm F2.8 EX DG OS HSM in February this year at PMA. The lens is now available for Nikon cameras as well, shipping at $1,699.00. It includes an adapter for those using APS-C bodies. Click here for specific details and the press release.

Canon vs Nikon Durability Tests

DigitalRev has come out with a Part II to their popular yet scary Nikon D90 vs Canon 550D Destruction Test video. This video is difficult to speak about and even more difficult to watch. This is your warning:



Very reminiscent of Petra Hall's torched 7D.

PhotogTips #1

As we approach the Fall season, we are starting a weekly series called PhotogTips. Very short, but helpful tips to help you from pre to post production. This weeks tip:

When you transfer images from your CF card using a Windows 7 setup, your camera is read as a hard drive (folder structure) when connecting via USB. Pre-Windows 7 systems would force the camera to be read as device only. Reading as a drive makes makes recognition of data up to 15x faster.

Canon EOS 60D vs. EOS T2i

Given the success and market of Canon’s new video capable DSLR line, the 60D has made a significant break from the xxD line. Many were curious as what the “update” would include as the 50D was the flagship of the xxD line when the 7D was introduced. Shortly after this, Canon released the T2i. Being that the features on the T2i were comparable to that of the 50D, some changes needed to be made to make the 60D even more valuable to the Professional. This had to be done in a way to still justify the cost while comfortable nestling the 60D in-between the 50D and the 7D.

This task is nearly impossible as the T2i is in the picture, with nearly every feature that was given to the 7D. Canon’s only choice was to add features. Canon gave the 60D an articulated LCD screen and the ability to convert RAW to JPEG in camera. They also added a new file-type, mRAW. This is simply a middle point between sRAW and RAW. One thing that confuses many Photographers though is Canon’s choice to cut the burst rate down to 5.3fps, from the 6.3fps of the 50D.

Being that the 60D is more kin to the Rebel line, below is a comparison between the 60D and T2i.

Model	Canon EOS 60D	Canon EOS T2i
Sensor Type	CMOS	CMOS
Sensor Size	22.3 x 14.9mm (APS-C)	22.3 x 14.9mm (APS-C)
Megapixels	18.0	18.0
Image Size	5184 (H) x 3456 (V)	5184 (H) x 3456 (V)
Crop Factor	1.6x	1.6x
Viewfinder	Vertical/Horizontal approx. 96%	Vertical/Horizontal approx. 95%
Shutter	1/8000 to 30 sec, bulb	1/4000 to 30 sec, bulb
Flash Sync	1/250	1/200
Burst	5.3 fps, 3.0 fps	3.7 fps
ISO	Auto, 100-6400 (12800), 1/3 stop increments	Auto, 100-6400 (12800), 1 stop increments
Auto-Focus	9 focus points, dual cross-type, center f/2.8	9 focus points, cross-type
Flash Range	13m	13m
Movie	1920 x 1080 (HD 30/25/24 fps), 1280 x 720 (HD 60/50 fps), 640 x 480 (60/50 fps)	1920 x 1080 (HD 30/25/24 fps), 1280 x 720 (HD 60/50 fps), 640 x 480 (60/50 fps)
LCD resolution	1,040,000 dots	1,040,000 dots
LCD type	Swivel	Fixed
LCD size	3in.	3in.
Shooting Modes	RAW, mRAW, sRAW, JPEG + RAW, JPEG (Large) JPEG (Medium) JPEG (Small)	RAW, mRAW, sRAW, JPEG + RAW, JPEG (Large) JPEG (Medium) JPEG (Small)
Battery	LP-E6	LP-E8
Battery life	Up to 1600 exposures	Up to 550 exposures
Memory Types	SD/SDHC/SDXC	SD/SDHC/SDXC
Eye-Fi Support	Yes	Yes
Suggested Temp. Range	32-104F/0-40C	32-104F/0-40C
Dimensions	Approx. 5.69 x 4.17 x 3.09 in./144.5 x 105.8 x 78.6mm	Approx. 5.1 x 3.8 x 3.0 in./128.8 x 97.5 x 75.3mm
Weight	675g	530g
Release Date	September 2010	February 2010
MSRP (Body)	$999.99	$799.99

Ballistics and Water Drops

Many make attempts to capture the impossible. With the advent of Photoshop, this has become much more likely. Photographers and Editors all over the world depict things in "Photographs" that are not truly what one would see if they were at that same place. One brilliant example is Dave Hill's Verizon Ad:


(Photo by Dave Hill) via Verizon Communications

However there are those that, Enthusiast and Professional alike, are looking to capture real moments. Before the "Photograph" was the "Exposure." Those moments can be the once in a lifetime captures, such as that by John Schwartz, or they can be moments in which the Photographer stages, such as the capturing of a bullet. Given the limitation of a shutter, this task is not an easy one. But an Australian Photographer known as Fishbait [Photoforum.com] did that, and in a unique and challenging way. Please enjoy these images of a small caliber pellet going through a drop of water:







Click here to see the original post.

Canon EOS 60D Announced

Just a week after the announcement of the D3100 from Nikon, Canon has officially released the EOS 60D.  For some time, the 60D was questioned to ever come into existence, but in an interview with Canon, they explicitly noted that the xxD line was not suspended.  This confirmed with everyone that one day, there would indeed be a 60D.  And with the release of the T2i, it was guaranteed to have the recently favored video functionality.  Just as the T2i, the EOS 60D includes an 18mp CMOS sensor, full 1920x1080HD video recording, and yes, an SD memory card slot.  Most professionals prefer the larger CF cards, so this may discourage some from the xxD line.
 
A new feature to Canon is the Vari-angle LCD screen.  The monitor can be swiveled out and rotate 180 in either direction.  Some people enjoy these, previously seen on the Sony DSLR’s, mainly because of the ability to better position the screen preventing glare. Another new feature is the ability to convert RAW images to JPEG in-camera. Cool to do but eliminates the point of shooting RAW in the first place, which is to have control over your edit.
 
When comparing the camera to the 50D, you get a few improvements as well.  You now get 63 zone metering as opposed to 35 zone, 1% more field of view on the LCD screen and native ISO6400.  However, you lose 1fps in burst mode.  This is a little confusing since both cameras use the same Digic4 processor.  The body itself is about the same size as the 50D, but weighs 55grams less.  An important thing to note is that this takes the 60D takes the LP-E6 battery, NOT the BP-511 that we’re used to.
 
PRESS RELEASE:

Canon's New EOS 60D Digital SLR Camera Unleashes The Creative Potential Of Digital Photography And EOS Full HD Video With New In-Camera Imaging Features

New EOS 60D Offers a Vari-Angle LCD Screen, EOS Full HD Video Recording, In-Camera RAW Processing and Creative Filters and 18-Megapixel Resolution Among Class-Leading Specs

LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it's capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.

"The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use," stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.

Exciting EOS "Firsts"
For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.

Another first for the EOS system is the EOS 60D camera's new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer's selected shooting mode.

While the photography mantra of "get it right in the camera" still stands true, Canon's new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.

In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data.
Another great new feature for photographers-on-the-go is Canon's new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function.
Available for the first time in an EOS camera are Canon's new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it.
The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
The Grainy Black and White filter can give a different nostalgic perspective to any shot.
Canon's "Toy Camera" filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point.
Each of these filters can be applied to a captured still image in-camera to create a second "filtered" JPEG version, leaving the original RAW or JPEG file unaffected.

Another addition to the camera's Live View function is Canon's new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon's supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D's in-camera RAW image processing function.

EOS HD Video: Continuing the Video Paradigm Shift
In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.

The new EOS 60D camera's movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.

Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon's Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon's Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.

Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR's video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording.

Valuable Additional Features
Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon's exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer's choice of SD, SDHC or new extended capacity SDXC memory cards.

The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped "X" cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon's iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.

Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR's wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D's pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.

Making accurate composition more convenient, the EOS 60D's optical viewfinder provides 96 percent coverage along with Canon's built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera's LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.

Pricing and Availability
The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00i. It will also be offered in a kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,399.00ii. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00iii.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine's World's Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of "100 Best Global Brands." Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

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† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

i Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

ii Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

iii Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.

Nikon Launches the D3100

Image courtesy of Nikon USA

As rumored, Nikon today officially launched the D3100. Nikon has long been criticized for shipping out DSLRs capable only for 720 lines of resolution, even though they were the first to release the technology. Well, just as the classic Canon-Nikon battle rages, Nikon has released the D3100 to ship in September. The D3100 shoots full 1080p/24 and encodes in an .mov file format. Another plus is the ability to track your subject via autofocus! This will eliminate the chances of using on-board audio, but most do not use it anyway. The camera also receives a new 14.2 megapixel sensor. Are they done yet? No, Nikon includes their 18-55mm VR kit lens to sweeten the deal.

MSRP: $699.99


PRESS RELEASE:

THE NEW NIKON D3100 D-SLR EMPOWERS AND INSPIRES USERS AS THE SIMPLE SOLUTION TO STUNNING PICTURES AND AMAZING
HD VIDEO

Enhanced Guide Mode and the Ability to Shoot 1080p High Definition (HD) Video with Full Time Auto Focus Allow Users to Capture with Confidence

MELVILLE, N.Y. (AUGUST 19, 2010) – The new Nikon D3100 digital SLR camera speaks to the growing ranks of enthusiastic D-SLR users and aspiring photographers by providing an easy-to-use and affordable entrance to the world of Nikon D-SLR's. The 14.2-megapixel D3100 has powerful features, such as the enhanced Guide Mode that makes it easy to unleash creative potential and capture memories with still images and full HD video. Like having a personal photo tutor at your fingertips, this unique feature provides a simple graphical interface on the camera's LCD that guides users by suggesting and/or adjusting camera settings to achieve the desired end result images. The D3100 is also the world's first D-SLR to introduce full time auto focus (AF) in Live View and D-Movie mode to effortlessly achieve the critical focus needed when shooting Full HD 1080p video.

Packed into the compact and lightweight body of the D3100 camera is a host of advanced Nikon technologies, such as the new EXPEED 2TM image processing engine. EXPEED 2TM in conjunction with Nikon's new 14.2-megapixel DX-format CMOS sensor is the driving force behind the enhanced performance and rich image quality. Ready to go wherever life leads, the D3100 features split-second shutter response and a blazing fast 11-point AF system to help ensure tack-sharp images. For shooting in challenging lighting conditions, ISO 3200 (expandable to 12,800) enables versatility in environments such as indoors or in the evening hours.
"People are stepping up to digital SLR cameras – consumers are embracing the enhanced performance, amazing image quality and options for lenses and accessories that only a D-SLR can provide," said Lisa Osorio, general manager of marketing at Nikon Inc. "The D3100 is a camera that makes it easy to take beautiful pictures and will grow with the user, unlocking their potential and assisting in creating lasting memories or amazing art."

Get Inspired With The Guide Mode
Whether new to D-SLR photography or exploring new shooting techniques, the D3100 features an enhanced Guide Mode with an easy-to-use interface to help customers build confidence in using their D-SLR through on-demand, step-by-step assistance. A stand out feature in the D3100's predecessor, the D3000, the Guide Mode is easily accessed through the Mode Dial on the top of the camera. This enhanced help function now features sample assist images that change with camera settings to inspire consumers to achieve a desired look and feel to their images, while guiding through easy to understand photographic techniques. For example, to instill the majestic appearance of moving water, users can select "show water flowing" from the Guide Mode, and simply follow the prompts to create the ideal camera settings to capture an amazing image.
By following the guidance on the bright 3-inch LCD screen, users can achieve professional looking photographs to be proud of. Whether looking to soften backgrounds, freeze a moment in time or convey motion, the Guide Mode assists users in exploring effective picture taking solutions at their own pace to make capturing great pictures even easier and enjoyable.

Full HD Video Made Easy with D-Movie
The Nikon D3100 D-SLR allows users to capture stunning Full HD, 1080p resolution (1920x1080) movies. Users can record cinematic quality 24p video clips, or shoot at 24 or 30 frames-per-second at 720p, ideal for sharing online. By incorporating versatile NIKKOR lenses to the equation, users can now create a variety of photography effects to video such as isolating subjects with a shallow depth of field, and recording in low light conditions. NIKKOR lenses also deliver the sharpness needed for HD video, and Nikon's Vibration Reduction (VR) II technology helps to eliminate camera shake.
While Nikon pioneered HD video in a D-SLR, Nikon is now introducing another industry first to enrich the user experience: The D3100 is the first D-SLR to implement full time AF for D-Movie video shooting and while in Live View mode. Using contrast based AF, the D3100 automatically focuses on subjects when Live View is activated to aid shooting when using the LCD. The D3100 camera also uses Face Detection technology to lock focus on up to 35 human faces, a feat not even accomplished with consumer camcorders. To further simplify movie shooting, Live View is activated at a single flick of a dedicated switch, and HD video recording is achieved by a simple press of a button.

Sharing and editing video clips is also easier than ever, as the D3100 records movies in the versatile H.264 AVCHD codec (.mov file). While playing movies back in the camera, users are able to edit recorded videos by clipping footage from the beginning or end of a movie. High Definition movies and stills can be shared with family and friends on an HD television via HDMI output, and control slideshows and video using the HDMI Consumer Electronics Control (CEC) interface that is a part of most modern remote controls from HDTV manufacturers. Additionally, the D3100 is compatible with the new SDXC memory card format to store large amounts of photo and video data so users can shoot multiple scenes without interruption.
Renowned Nikon Technology
The D3100 leverages proven Nikon technologies to create the most positive picture taking experience for consumers of any skill level. With its new 14.2-megapixel CMOS image sensor and Nikon's new EXPEED 2TM image processing system, the D3100 delivers exceptional image quality with low noise. The new EXPEED 2TM image-processing engine enhances camera performance and helps to ensure brilliant image quality while managing color, contrast, exposure, noise and speed for optimal results. The D3100's normal ISO range extends from ISO 100 to 3200, allowing users to capture stunning images, even in low light environments. Additionally, the D3100's ISO range can expand to a Hi-2 setting of ISO 12,800, furthering the opportunities for low-light shots that other cameras miss.

Other exclusive Nikon technologies include the Active D-Lighting system, which automatically rescues dark or backlit images to help create flattering images with even tones. This is especially useful when photographing subjects that are backlit by the sun or lights to provide an even exposure.

What's more, Nikon's Scene Recognition system draws upon the 420-pixel RGB color 3D Matrix Meter for outstanding exposures under a variety of lighting conditions by integrating a database of tens of thousands of sample images. The result is a camera intelligent enough to recognize when photographing a specific scene such as a portrait or landscape and automatically choose the proper camera settings.

To make taking great pictures even easier, the D3100 elevates Nikon COOLPIX technology and incorporates an Auto Scene Selector feature in Live View. This innovative function automatically selects the best scene mode to match shooting conditions. When engaged, the camera will automatically recognize when shooting a lush landscape or fast action sports and adjust the camera settings to create an astounding image. Six preset scene modes can also be accessed with the Mode Dial on top of the camera to overcome many common shooting challenges.

Compact Design. Huge Performance.
With comfortable yet intelligent ergonomics, the D3100 packs powerful technology that's easy to use into a compact form factor. The advanced 11-point autofocus system of the D3100 makes it easy to find and focus on a subject through an enhanced viewfinder design with new "hollow" focus points to give a clear view of the subject.

In the playing field or the backyard, the benefits of Nikon's advanced 3D Subject Tracking become clear, as the camera continuously focuses on fast moving subjects throughout the frame, resulting in crisp, clear action shots. Additionally, the D3100 offers split-second shutter response, eliminating the frustration of shutter lag-the annoying delay that ruins so many pictures. With the ability to capture images at up to three fps, users never miss a moment.

Also added to the D3100 is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting "Q" on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive, for example during quiet ceremonies or photographing a sleeping baby.

Nikon also empowers users to prepare their photos for sharing quickly and easily using Nikon's extensive in-camera Retouch Menu, which easily applies a variety of fun and dramatic effects to images without a computer. Fun and easy-to-use adjustments include a miniature effect to photos, image overlay, color outline and softening filters for flattering portraits and realistic skin tones.

The D3100 also incorporates Nikon's Integrated Dust Reduction System, which offers a comprehensive solution that combats the accumulation of image-degrading dust from the camera's image sensor. The shutter is tested to 100,000 cycles for maximum durability, ensuring years of captured memories.

Gateway to Legendary NIKKOR Optics and Accessories
Nikon has also introduced the ideal companion to the D3100, the brand new AF-S DX NIKKOR 55-300mm VR lens, which gives users super-telephoto zoom capability for an affordable price. This is a perfect complementary lens when combined with the AF-S 18-55mm VR kit lens, and is great for capturing images of sports and wildlife around town or on vacation. Photographers can also appreciate the D3100's system expandability, as it is compatible with more than 40 legendary NIKKOR AF-S interchangeable lenses. While the D3100 offers a versatile built-in flash, the camera also operates with Nikon's Creative Lighting System and is capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. The D3100 D-SLR's design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the camera to a computer when using Eye-Fi memory cards. Also included is a new version of Nikon's powerful image editing application, View NX2. The latest edition of this software allows users to organize and edit both photos and video files easily.

Price and Availability
The D3100 D-SLR camera outfit, including the versatile AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to be available at Nikon Authorized dealers beginning in mid September 2010, at an estimated selling price of $699.95.* The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR lens will be available starting in September for $399.95*. For more information, please visit www.nikonusa.com.