Canon Announces Canon EOS-1D X

PRESS RELEASE:

Canon U.S.A. Introduces The New Canon EOS-1D X Digital SLR Camera, Re-Designed From The Inside Out
Featuring a Completely New 61-Point Autofocus, Fast Shooting up to 12 fps, 18-Megapixel Full-Frame CMOS Sensor, Full HD Video Recording and Much More
LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon's arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon's lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon's EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.
The EOS-1D X announcement comes on the heels of Canon's recent manufacturing milestone with the production of the Company's 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.
"The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
The Camera With Three Brains
The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera's new EOS iTR (Intelligent Tracking and Recognition) AF.
The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work. The new 18-megapixel full-frame CMOS sensor utilizes large pixels - 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor - together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level. The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light. When combined with the Dual DIGIC 5+ imaging processors the resphults are stunning. The images produced with the EOS-1D X camera's new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon's second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.
The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.
New 61-Point High Density Reticular AF
The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released. The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8. All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)



All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.
Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)


 
EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance
The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.
Exposure Control
For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X's 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure. The new subject recognition capabilities enhance nearly all of the camera's automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.
Multiple Exposure Modes
The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera's LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X's Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.
Super High Speed Mode
The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG modei. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X's 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.
Enhanced EOS HD Video - New Compressions, Longer Recording
Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work. The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.
Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.
The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.
Enhanced Ergonomics & Optimized Design
Photographers familiar with Canon's EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement. The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.The Live View Button has been conveniently placed near the user's thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally. On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position. The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.
Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.
This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV. A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.
Connectivity
For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission. If the network were to go down, the camera will attempt to resend images until the files are sent. The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.
Accessories
Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models. With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.
The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver*, which can be easily integrated into the camera's body. Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement - latitude, longitude, elevation, and the Universal Time Code - and allow viewing of camera movement on a PC after shooting. The receiver will also record camera direction when shooting, even when shooting vertically.
Pricing and Availability
The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2010†, with global revenues of more than US $45 billion and is listed as number five in the computer industry on Fortune Magazine's World’s Most Admired Companies 2011 list. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
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* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.
† Based on weekly patent counts issued by United States Patent and Trademark Office.
Specifications, price and availability are subject to change without notice.
All referenced product names, and other marks, are trademarks of their respective owners.
i Super High Speed Continuous shooting at 14 fps requires mirror lock and JPEG mode at ISO speeds less than 32000.

CNCC: Beijing - Trey Ratcliff

Nikon D3s | CNCC ^©2011 Trey Ratcliff

Trey Ratcliff is a Photographer, and the Editor of Travel Photography blog StuckInCustoms.com. In this image, he captures the China National Convention Center just before sunset.

Be sure to check out Trey's blog and his award winning HDR tutorial.

Camera Lens Falls Out of the Sky

In California, Debbie Payne is the receiver of a brand new, to her, 24-105mm zoom lens. She found the lens in her yard, in pieces, later to discover that the lens crashed through the roof of her two-story home. It is currently unknown where the lens came from, but authorities are tracing the serial number. This probably will not be covered under the manufacturer’s warranty, even though it’s a Canon.

Full story: SFBay

Canon Announces PowerShot S100

^©2011 Canon U.S.A.

Canon has announced their latest consumer camera of the PowerShot family, the S100. With desired functionality such as RAW mode, 12.1MP sensor and Full HD video, this makes a great camera for the enthusiast. You even have the option to add the HF-DC2 external flash unit. This is a follow up to Canon’s highly acclaimed S95. Some key features of the S100 are:

• 12.1MP CMOS Sensor
• New f/2.0 lens
• 5x lens (optical 24-120mm)
• Full HD video @ 24fps
• DIGIC V processor
• ISO 100 – 6400
• Intelligent Image Stabilizer
• Full manual control
• RAW shooting
• 9.6 shots/second burst (up to 8)
• Slo-mo 240fps (QVGA)

MSRP: $429.99USD

PRESS RELEASE:
Canon U.S.A. Announces PowerShot S100 and PowerShot SX40 HS Models With New DIGIC 5 Image Processor Providing Enhanced Resolution and Faster Shooting Speeds
Featuring Full HD Video Recording, High-speed Burst HQ and Intelligent IS
LAKE SUCCESS, N.Y., September 15, 2011 – Canon U.S.A., Inc., a leader in digital imaging, today announces the addition of two feature-packed digital cameras, the PowerShot S100 and PowerShot SX40 HS, to its award-winning lineup of point-and-shoot models. In addition to superb low-light performance and increased overall speed, these two cameras include a new DIGIC 5 image processor, HS SYSTEM, Full HD video capture, High-speed Burst HQ and Intelligent IS providing clearer, smoother looking images.
"Photo enthusiasts are always on the search for that next great camera to help them achieve the best results," said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. "The inclusion of the new DIGIC 5 image processor and Full HD recording capabilities on both new models will provide users with the tools needed to capture brilliant images and videos as they continue their photographic journey."
A challenging task for the photographer on assignment or appointed family photographer is working under low-light conditions. Helping improve the quality of images from those situations is Canon's HS SYSTEM, where the camera's image processor and high-sensitivity image sensor work in tandem to enhance low-light image quality. With the PowerShot S100 and PowerShot SX40 HS, Canon has introduced a new DIGIC 5 image processor, maintaining the cameras' superb low-light image quality while improving overall camera operation and color accuracy. The new image processor has improved noise reduction and advanced Multi-area White Balance optimizing color tones of both subject and background under multiple light sources.
High-speed, High-quality, High-performance
An added benefit of the DIGIC 5 image processor is the incorporation of the new High-speed Burst HQ1providing users with the ability to continuously capture a maximum of eight frames. This new feature will allow the story of a child scoring the winning goal on the soccer field or a marathon runner crossing the finish line to be told frame-by-frame through the eye of the photographer.
Intelligent IS
One of the most important innovations for a point-and-shoot camera has been Image Stabilization (IS) since it helps improve image quality by reducing camera blur for both images and videos. Canon has taken this technology one step further with the new Intelligent IS which automatically chooses from six different modes (Normal, Macro, Panning, Dynamic, Powered, Tripod) to optimize image stabilization and help achieve crisp, blur-free images for various shooting conditions.
It's an HD World
When the time comes to share one of those "can't miss" moments from a family day at the park or of a pride of lions on a safari expedition, the use of HD video is becoming more popular than ever. As a leader in HD video capture, Canon has incorporated Full HD recording (1920 x 1080) capabilities for both new models. Providing exceptional resolution for crystal clear HD video, both cameras have a dedicated movie record button in addition to having the ability to zoom while recording, further enhancing the overall user experience. An HDMI terminal output has also been included for easy sharing of videos with stereo sound on HD ready televisions
PowerShot S100 Digital Camera
When the PowerShot S95 Digital camera was announced in 2010, it received critical praise for having an impressive feature set and superb low-light capabilities. Building upon the success of this model is the PowerShot S100, featuring a host of upgrades making it a must-have for any photo enthusiast. Featuring a 12.1-megapixel CMOS image sensor -- part of the HS SYSTEM -- this versatile camera has a 24-120mm wide angle lens with 5x optical zoom, GPS functionality and is capable of achieving improved low-light performance of up to ISO 6400. Additionally, the camera utilizes an f/2.0 lens increasing the camera's low-light performance by allowing additional light to reach the sensor while creating a shallow depth-of-field for portraits with dynamic, soft backgrounds. The PowerShot S100 will also now be available in either black or silver. Other features of this camera include:
• A large 3.0-inch wide LCD screen for easy viewing of those images and menu options.
• GPS capabilities2 where satellites collect data of the latitude, longitude and altitude of an image's location, which is then stored to the image's EXIF data3. A map utility software is included with the camera to view the locations where images were captured. There's also an internal GPS logger to track the day's photographic route.
• A full range of shooting and recording modes similar to those found in DSLR cameras including RAW + JPEG and a control ring on the front of the camera for quick, manual adjustment of key functions such as ISO, zoom and focus.
• Compatibility with the HF-DC2 High-Power Flash, which is an optional flash accessory that operates wirelessly and increases the effective flash range up to approximately 30 feet.
The estimated selling price of the PowerShot S100 Digital camera is $429.99 and is scheduled to be available in early November.*
PowerShot SX40 HS
When visiting the local zoo or sitting in the stands of a youth football game, having a camera that has the flexibility to capture images at close-up and far-off distances is a necessity. Canon's PowerShot SX40 HS is just the camera one would need to ensure those images are of high-quality. Other features include:
• An incredible 35x optical zoom range (24mm-840mm) with image stabilizer and a 12.1-megapixel CMOS image sensor -- part of the HS SYSTEM – the camera can capture low-light images of enhanced image quality up to ISO 3200.
• A 2.7-inch wide vari-angle LCD has been included for easy viewing of images and menus from almost any angle.
• Improved Smart AUTO settings to ensure the settings are intelligently selected based upon the cameras 32 predefined shooting situations.
• The Zoom Framing Assist button, which helps the user steady the camera when tracking a moving subject at extreme telephoto settings keeping it in focus.
The estimated selling price of the PowerShot SX40 HS Digital camera is $429.99 and is scheduled to be available in late September.*
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2010†, with global revenues of more than US $45 billion and is listed as number five in the computer industry on Fortune Magazine's World’s Most Admired Companies 2011 list. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
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† Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks of their respective owners. All ppm's and imps's based on letter-sized output unless otherwise noted.
* Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.
1 The continuous shooting speed is approximately 9.6 fps for the PowerShot S100 and approximately 10.3 fps for the PowerShot SX40 HS.
2In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country.
3As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

Ligtning Strikes the Eiffel Tower

Photo: Bertrand Kulik ^©Caters News Agency

Amateur Photographer Bertrand Kulik captures an amazing exposure of the iconic Eiffel Tower. In this shot, you see the tower lit up at night with it's new lights; but in the background, it's being lit up by a dramatic bolt of lighting. It is in a position that it seems to be striking the tower at that very second. Bertrand, who lives just miles from the tower, decided to take out is camera and grab some shots once he noticed the storm approaching.

Capturing lighting usually becomes a goal of every Photographer at one point in time, but usually you see a streak in an empty sky. If this image did not have the lighting in the background, it would still be a strong image. Though the image is a few years old, it has lately gained much notoriety, recently winning the Office du Tourisme de Paris competition. It will also be featured in the "Lumieres celestes, lumieres des hommes" exhibit. Bertrand stated "I quickly grabbed my ­camera and put it on a tripod by the window in the hope I could get an action picture – but I never thought I would get such a ­magnificent shot."

Full Moon Storm Approaching

Canon 50D | Full Moon Storm Approaching ^©2011 Wray Sinclair

Hurricane Irene has made her debut on the East Coast. Nature has it's way of "showing off" just like models do. Except with nature, you at times experience events that some may never see. Hurricanes are known for their calmness before and after the storm, as seen in the vivid colors of the skies, but the eye truly brings a different message.

In this exposure, Virginia Photographer Wray Sinclair captures the storm approaching. The full moon in the background gives the image a signature quality, and this could easily be made into a beautiful poster sized print. This isn't so much an artistic approach to a photograph, but rather a solid composition that truly captures nature in it's own beauty. This gives the image incredible value.

This photo was taken from the Smokey Mountains. Check out Wray's flickr for more great images from his trip.

How to Choose a Tripod

Image courtesy of BHPhoto.com

It's just a fact...camera's are getting cheaper, but if you take your craft seriously, you will still be spending some money. The first thing the serious Photographer notices is that many good lenses cost more than the bodies you put them on. Tripods are known to be quite pricey as well, but there are a few things to look for that will at least make the purchase much easier.

If you are firm on business, budget may not always be your main concern. Generally, if the purchase will help you do your job better - it will pay for itself, faster. With this technicality out of the way, you now have a wide selection to choose from, with prices ranging from $12 - $1200. Here are a few things to look for when considering what tripod to purchase:

1) Height. The height is very important to consider. You want to be sure your tripod is tall enough to handle any condition. You also may want to check the minimum height. Be sure this measurement is taken with the legs expanded. Many Landscape Photographers utilize shorter heights when looking for a different perspective.

2) Ball Head vs. Non-Ball Head (Pan/Tilt). Tripods have heads? Well yeah, they have legs right? A ball head is an apparatus that allows you to make quick leveling adjustments, rotating almost 90° each direction on some models. This is very helpful when you don't want to adjust the legs every time you change elevation. Ball Head should not be confused with Fluid Head.

3) Fluid Head vs. Non-Fluid Head. This is where smoothness comes in. Mainly for video cameras, and now video enabled DSLRs, a fluid head tripod is one that uses a liquid lubricant in the head. This enables the right operator to perform almost mechanical like movements, including silky smooth pans! These heads also provide dampening, as set by the operator.

4) Center Column. The center column draws a polular debate. Usually everyone that has owned one puts it to use, and anyone that hasn't owned one doesn't miss it. Some suggest the center column is great for hanging a bag on while you are shooting, which in turn increases stability. It also allows for quick height adjustment. On the other hand, it adds weight and increases the minimum distance you are able to setup from the ground.

5) Mid-level Spreader, Ground Spreader, Spreader? This is another user preference. Most Photography tripods don't have spreaders at all, and are not recommended for mobile use. However, the debate is stronger than that of the center column.

Again, this is mixed between Videography and Photography. Most complaints about spreaders are from people that want the quickest, lightest, simple and most versatile setup possible. They feel the spreader is an additional component that increases setup time, often making it difficult to setup on unlevel ground. However, those that swear by spreaders will testify for their rigidnes and increased stability. Tripods like the Miller Solo have locking hinges, but some still prefer the locking capabilities of a spreader. In all, the most benefits will be seen on level ground. It's easy to see how more parts can get in the way, but the good news is functionality has greatly increased due to new designs. Spreaders are much easier to handle on post 2008 tripods.

6) Carbon Fiber vs. All. Carbon Fiber tripods would be in every professional's bag if we all got our dream list. Carbon Fiber is still one of the lightest, most rigid materials on the planet. If you can grab a carbon fiber tripod with a fluid head, you will be hard pressed to find a situation where you can not use it. However, you can achieve similar performance results with a much cheaper solution.

7) Weight. The weight of the tripod may be important to some. If you move around a lot, like a Landscape Photographer, you might want to invest in a light tripod. Unfortunately, a light tripod can cost $12 or $1200. So which one do you buy? If it's a cheaper tripod, you will sacrifice stability; if it's more expensive, it will cost a lot more than $12 (see #8). Be sure to find a tripod stable enough for what you need to accomplish. If you are concerned about quality and budget, the Manfrotto brand is a great place to start looking.

8) Remember, "a tripod can be stable, cheap and light but you can only choose two of those."

You may not be able to afford a Cartoni, do spend within your limits. But be sure to invest in a tool you can use.


*Tips:
- Consider purchasing a Quick Release Plate to quickly move the camera from tripod to other forms of stabilization.

- A "photography tripod" usually uses a small, square baseplate to mount your camera on. A "video tripod" will usually provide a long rectangular plate; they also more commonly have spreaders.

- Sports Photographers love monopods!

Emmanuel Coupe - Frozen Lake

Canon 1DsMkIII | ^©2011 Emmanuel Coupe

Emmanuel Coupe is an award winning Landscape Photographer from Paris, France. He travels around the world capturing some of the most amazing landscapes, and represents them just the same. Most of his images show the desolate beauty of locations that often leave other Photographers asking the magical question, "where did you shoot that?" Emmanuel's most recent recognition came from his trip to Cananda, with his Winter series capturing Abraham Lake. These were submitted to the 2011 National Geographic Traveler Photo Contest. He's currently gauging interest for a tour of the location next year, and generally holds small workshops of 3 - 8 people.

Emmanuel does not have a blog, but actively updates his website. Emmanuel is also the Author of the Faos Gallery.

Links:
More photos of Abraham Lake

Fixing Your White Balance [post]

^©2011 Curtis Harper

If you are new to Photography, or new to accurate Photography, then you have probably struggled with white balance on more than enough occasions. But with the advancement of today's camera bodies, you almost have to try to get the white balance wrong. The presets on most cameras ie. indoor, sunlight, fluorescent etc. do a pretty good job at getting the it correct. Even the AWB on some cameras may be your best option if you are in a jam. Try it out to see if it's useful!

White balance becomes most challenging when mixing different light sources. Event Photographers should have the most experience in this, as they generally shoot in a mixture of incandescent and flash lighting. No matter the situation, the best way to achieve accurate white balance is by using a white balance card. WhiBal makes a great kit. Getting it right in camera will save you countless hours in post.

If you do find yourself fixing images in post, the fastest and perhaps the best place to start is in Adobe Camera Raw. View the tutorial (external site).

iTimeLapse

There are many great iPhone camera apps, but very few as cool as iTimeLapse. iTimeLapse is an app that allows you to take timelapse photogrpahy at a set interval, and even export it to a full resolution Quicktime file! Many users were disgruntled as the developers went on hiatus for over a year, but they surprised us with an update in May, and released v1.2.1 earlier this month. Fixes include more time intervals, more resolution options and getting rid of the dreaded green video export. We also saw a slight price increase to $1.99 if you don't already own the software.

Many users were very vocal on the developer's absence, and the buggy state of the original release, so please drop by the iTimelapse website and let them know how the update works for you and maybe a quick thanks.

Laan Labs was founded by Christopher and Jason Laan, the same two behind the very cool ARSoccer game. They also keep an active blog.

Links:
iTimeLapse [info+download]

Image: Asteroid, 2011 MD

AP

UPDATED:

Here is a shot of '2011 MD,' an asteroid that passed Earth Monday barely a mile away. At about 6:30a.m. PDT, the asteroid crossed over the Atlantic Ocean. It was approximately 33 feet long. In February this year, Asteroid CQ1 passed earth at a record distance of 5480 kilometers

Planned Shots

Canon 1DMkIII | ^©2011 Danny Munson

There are many factors that go into getting that shot. Outside of the technical matters and just being a natural to Photography, lie the things like knowing when to bounce vs. when to shoot harsh light, slowing down the shutter speed when shooting a wedding reception, and "planning the shot."

The exposure above was taken by California based Sports Photographer Danny Munson. Of course, you could just get lucky and be there at the right time, but shots like this usually have more to them. Danny has an easy advantage being that he himself participated in the race pictured above, the Anger Management Criterium.

A few things to note in this shot: position, lens, movement and exposure. As you can see, the symmetry of the shot is the dominant characteristic. Danny knew if he released the shutter at the right moment, the shot would be well balanced. Next, the wide angle used not only captured all the riders, but provided a nice aesthetic quality to the image.

Movement can be shown in two ways, camera movement or subject movement. In this case, keeping the camera locked down showed a sense of motion as the bikers rounded the turn. And then the more technical part, the exposure. So many struggle with exposure, and learning how to use light is a necessary step to becoming a better Photographer. Here, the sun is clearly the brightest part of the composition, but not at all overpowering or distracting. A great book to read on exposure, whether beginner or seasoned, is Understanding Exposure [second edition, 3rd edition available].

Danny is the owner of D Munson Photo located in San Dimas, California.

Tip:
If you want to freeze the subject, pan the camera along with them as they go across your field of view. The result will be a motion filled background with a sharp, detailed subject.

Telamonia Jumping Spider - OrionMystery

^©2011 OrionMystery | Canon 40D

Kurt, aka OrionMystery, is a Macro Photographer based in Malaysia. Above is a picture of a Male Telamonia jumping spider. Kurt does a great job at capturing detail and nailing the focus right where it should be.

Macro Photography is more of a venture to most Photographers, only dabbling in enough to capture an all around good shot. But when you take the time Kurt does, you really learn the niche and gain a new understanding. He offers plenty of tips on getting better shots and shows some setup pics on his blog, Up Close With Nature.

Plains Milky Way - Randy Halverson

From Randy:

During the month of May, I shot Milky Way timelapse in central South Dakota, when I had the time, and the weather cooperated. The biggest challenge was cloudy nights and the wind. There were very few nights, when I could shoot, that were perfectly clear, and often the wind was blowing 25mph +. That made it hard to get the shots I wanted. I kept most of the shots low to the ground, so the wind wouldn't catch the setup and cause camera shake, or blow it over. I used a Stage Zero Dolly on the dolly shots and a "Milapse" mount on the panning ones.

This was shot on the Canon 60D and Canon T2i DSLR cameras.

Be sure to check out more of Randy's work at www.dakotalapse.com.

Camera+

Whenever I go out, I make it a point to have some type of camera with me, ready to shoot. 97% of the time, this is my iPhone. When I am driving around, I have my phone sitting in camera mode. When I see something, I just wake it up and I'm ready to shoot. This is a very simple way to capture more and get easy practice. Most of all, you will end up with thousands of pictures you may never use. If you are the type that can't hit the "delete" button, you may want to plan the more critical shot.

Using the native iPhone Camera, you can grab some great shots. However, software like Photoshop Mobile and Camera+ allow you to continue your creative vision without the use of a larger computer.

Camera+ is an award winning iPhone App developed by Lisa Bettany, aka @mostlylisa. She is part of the same team that developed the recent #1 App The Heist. The truth is, most camera apps offer the same thing: filters, zoom and focus, grids and borders. However, the way these tools are implemented may vary greatly. Camera+ stands out with it's easy to use interface, quick access controls and online viewing through an account on http://campl.us/ (similar to flickr). So all of these features are available elsewhere, but each user has their own taste, hence Canon vs. Nikon.

The tools available today almost leave the term "lack of resources" in the past. New York Photographer Joshua Brown recently published a book filled exclusively with pics taken using Camera+. Even though high technology is now available at the consumer level, which can negatively effect the professional market, we are also seeing creative restraints being lifted. This in return gives those that are passionate about their craft the ability to worry more about composition and less about a $6,000 camera body.

Be sure to check out Lisa's gallery and learn more about Camera+.

Links:
Lisa's blog
Josh's book [full preview!]

Shinichi Maruyama - Kusho

^©2011 Shinichi Maruyama

New York Photographer Shinichi Maruyama is not a blogger, but for the past few years, his amazing water photography has been featured in blogs and galleries to great distance. The above is from his Kusho series and was recently on display at the Bruce Silverstein Gallery, New York. He creates this rich colored water by mixing in Sumi Calligraphy Ink. Be sure to check out more of Shinichi's work on his website.

Links:
Shinichi on Vimeo [with demonstration]
Current exhibition

Autofocus, When You Say So

^©2011 Curtis Harper

Autofocus (AF) is a great feature that was first introduced by Leica in the 1960's. This technology works by using the camera's sensor to define accurate focus. Some professionals simply live by manual focus and believe it is the only way, but again, we must realize that has it's place, just like a flash or a zoom lens.

Many times when shooting, you may find it annoying that you can't get the AF just right. You might accidentally focus on the background, or focus on an ear when you should be on the eyes. Well, there is an easier way! It is the AE Lock/AF feature. Some cameras come with this as its own button, while others may need to be mapped. Also, the terminology may slightly vary on different bodies.

When looking at the Canon EOS 50D pictured above, notice the AF-ON button. From the manufacturer, this is the same as pressing your shutter button half way to autofocus; however you can customize this. By mapping this to enable exposure lock, you can use your autofocus as desired, lock it, and then not have to worry about the camera changing focus every time you press the shutter.

To enable AE Lock/AF (EOS 50D):

1) Navigate to your Custom Settings Menu

2) Select C.FnIV: Operation/Others

3) Select 3: AE lock/Metering + AF start

4) Press OK

Now whenever you press your AF-ON button, AF will engage. Pressing and releasing the shutter will not change the focus!

Editor's Post: Follow Curtis

Splash - Mark de Roo

Splash (not actual title) ^©Mark de Roo

Netherlands based Photographer Mark de Roo is quite the artist. Many great photographs are born due to experimentation. When you combine this with talent and amazing models, you get a breathtaking piece. The above photo is just one from Mark's amazing Water portfolio. I highly recommend checking out Mark's website.

Mark is a Professional Photographer and frequently updates his blog. Unfortunately he does not speak much English, so the site and blog are written in Dutch. However, Photography is universal!

Be a Stranger - Matthew Shalaby

Strangers Project - No. 38 ^©Matthew Shalaby

New Jersey based Photographer Matthew Shalaby recently embarked on a Strangers Project. For an unspecified number of days, he takes to the streets and Photographs 100 complete strangers. At times, this can be challenging for a Photographer. Shooting in studios, venues or local parks just isn't the same as going out into the streets. Also, many Street Photographers usually roam around unnoticed, scoping out subjects with a 200mm range lens. This is not Matthew. He takes a moment to allow his subjects to be comfortable, capturing a bit of emotion in each exposure.

Matthew was inspired by Photographer Markus Schwarze, who is popular for his post processing.

Be sure to check out the ongoing set on Matthew's flickr.

Links:
Matthew Shalaby official website

"Floating Focus" - Rhodri Lewis

Ford Focus WRC '08 ^©Rhodri Lewis

Pun intended! Rhodri Lewis is a motor driven, UK based Motorsports Photographer. The above is an older image from World Rally Championship [WRC], but reserves the same level of amazement no matter how many times you see it. Earlier this year, Rhodri began photographing for RaceRevo.com. For those who haven't heard of the site, RaceRevo specializes in coverage of professional motorsports, from an artistic, revved up point of view.

Be sure to check out more of Rhodri's work on flickr.

About the Drivers:
Federico Villagra
Jose Diaz

Nikon D5100

Last month, some alleged Nikon D5100 pics were floating around the net. Now it is confirmed, that the D5100 will soon be released. The camera boasts a 16.2-megapixel sensor as seen in the D7000, and reportedly similar image quality. Of course, the camera also gets full 1080p video recording and ISO adjustments from 100 to 6400. The 3" swivel screen is the same as that of the D5000, except now side mounted.

In video mode you get the option of 24, 25 or 30 frames per second. Nikon has not delivered the 60fps frame rate yet, so the T3i will still be the choice for slow motion. But the release of the D5100 should secure the loyalty of more of Nikon's customers. As with most new DSLR releases, the D5100 makes a great backup. With this, they also announced the new ME-1 Stereo Microphone. Remember on-board audio is usually only good for ambiance, so packaging this as an option is a smooth idea.

Though the D5100 provides amazing image quality for a great price, there are some drawbacks when compared to the higher end models. When compared to the D7000, you will notice the D5100 has only 11 auto-focus points, lacks the magnesium structure and shoots a max burst of 4fps. On the bright side you still get the built-in intervalometer, and if you remember the D90 shoots 4.5fps, only 10% faster.

The Nikon D5100 is set to ship as early as April 17th in some regions, however it won't reach many retailers until May.

MSRP: $799 USD [body only]
$159 USD [ME-1 microphone]





PRESS RELEASE:

The Versatile New Nikon D5100 D-SLR Offers A New Perspective On Creativity
With a New Swing Out Vari-Angle LCD, Full HD Movie and New In-Camera Effects, The Nikon D5100 and ME-1 Stereo Microphone Provide the Tools and Inspiration to Create Stunning Photos and Movies

MELVILLE, N.Y. (April 5, 2011) – Today, Nikon announced the new 16.2-megapixel Nikon D5100 Digital SLR designed for those ready to artistically express themselves and need a versatile camera that can keep pace creatively. The Nikon D5100 D-SLR houses a host of new and innovative features aimed at giving photographers the tools to shatter creative constraints and tell stories with amazing image quality and stunning HD movies.

The Nikon D5100 includes features designed to enhance the shooting experience, including an impressive new 3-inch, super sharp 921,000-dot Vari-angle LCD screen and full HD (1080p) movie recording with full-time autofocus. The 16.2-megapixel D5100 is also the first Nikon D-SLR to provide in-camera effects that can be applied to both photos and movies to deliver even more creative expression.

“Now more than ever, consumers want to pack only one device with them when travelling on excursions both far away and close to home,” said Lisa Osorio, general manager of marketing at Nikon Inc. “By providing consumers with a simple path to creative freedom for both stills and movies, the Nikon D5100 is designed to become an essential camera for capturing all of life’s occasions.”

Ready for the Adventure of Life
The D5100 allows photographers of all levels to confidently execute new and creative ways to tell stories with amazing color and clarity. Whether shooting high over crowds or down low to a toddler’s point of view, the swing out style Vari-angle LCD screen makes it easy to compose and share great images. Displaying even the most subtle details with clarity, the super sharp LCD has a 1000:1 contrast ratio and 921,000-dot resolution, with the ability to rotate 180 degrees horizontally and vertically.

To further test creative boundaries, photographers can take advantage of the D5100’s in-camera Special Effects Mode. Applied to either stills or D-Movies, these innovative effects are easy to apply and add a high level of creativity and fun to the photo experience. By selecting the Effects position on the mode dial located on top of the camera, photographers can easily apply effects such as Selective Color and choose up to three different colors in a scene while the remainder of the scene is converted to monochrome. Color Sketch creates photos and a stop motion movie in a colorful sketched drawing style, while the Miniature effect records photos and high speed movies to bestow a feeling of a mini-scale scene. To record photos in extreme lighting conditions or to produce movies with a gritty appearance , the new Night Vision mode calls upon Nikon’s pro D-SLR performance to offer extreme low-light capability by enabling the camera to shoot up to a super-high 102,400 ISO. In addition to the Effects mode, users can create photos with amazing tonal range by selecting the high dynamic range (HDR) function within the camera. With this selected, the D5100 will automatically expose two consecutive images in rapid succession – one over and one underexposed up to 3EV stops to produce a finished photo with an amazing range of midtones and highlights that wouldn’t otherwise be possible in a single shot. Additionally, Active D-Lighting can be selected by itself or combined with HDR for an even more dramatic effect.

The versatile Nikon D5100 D-SLR will motivate shooters to further explore creatively with its advanced camera features including full manual controls (P,S,A,M on the mode dial) offering the ability to manage the camera’s aperture and shutter speeds. Once the photo is captured, photographers have the flexible retouch menu at their disposal to apply additional in-camera effects and editing options including color and filter effects, red eye correction and NEF (RAW) processing.

The remarkably wide ISO range of 100-6400 (expandable to a staggering 25,600 ISO), allows photographers to shoot confidently in outdoor and indoor low-light situations, even handheld with low noise. In challenging lighting conditions such as when a subject is backlit, Nikon’s Active D-lighting feature helps to keep shadows and highlights consistent for even exposures.

To further unleash creativity, the Picture Control system also affords users the choice for Standard, Neutral, Vivid, Monochrome, Portrait, or Landscape settings to apply a personal look and feel to their pictures. Additionally, the versatile Scene Modes let them choose from Portrait, Landscape, Child, Sports, Close-up or Night Portrait and more for stunning results in just about all possible lighting conditions.

Create Full HD Movies
The Nikon D5100 captures 1080p full HD movies with full-time autofocus and manual exposure control. Users can quickly switch focus modes to stay with the action through a variety of AF functions, including face priority which can track up to 35 human faces, subject-tracking and normal or wide-area autofocus. To activate D-Movie mode and Live-view, a new switch is ergonomically located on the top of the camera near the shutter button for easy access.

The D5100 D-SLR offers variable frame rates and resolutions for movies, and can record 1080p at a cinema-like 24 or 30fps, or a web-friendly 720p resolution at either 24 or 30 fps for up to 20 minutes per clip, in the AVC-HD H.264 codec. Once recorded, movie clips can be edited and trimmed in the camera to save time in post production. Whether utilizing a wireless or hot shoe mounted microphone such as the new ME-1, sound can be recorded via the stereo microphone input for professional audio results. Captured movies can be easily shared using the HDMI output, and controlled remotely with HDMI CEC compatibility.

Superior Image Quality
The 16.2-megapixel DX-format CMOS sensor is capable of capturing images that erupt with color and offer amazing sharpness and clarity to create images and full HD movies even in low-light conditions. Coupled with Nikon’s exclusive EXPEED 2 image processing engine, images are brought to life with vivid colors and amazing contrast, accurate exposure, and low noise levels resulting in brilliant image quality. The EXPEED 2 engine also drives the quick 11-point AF system on the D5100 to provide rapid focus acquisition even on fast moving subjects. When shooting action, split second shutter response and four frames per second burst rate make sure no moment is missed, forever putting to rest the story of “the one that got away.”
Whether shooting lush wilderness landscapes or an urban skyline, the D5100 utilizes Nikon’s exclusive Scene Recognition System to analyze subject information from a database containing more than 30,000 images to optimize focus, exposure, i-TTL flash exposure and white balance. To assist in creating amazing imagery, the Scene Recognition System reads data from the 420-pixel 3D Color Matrix Meter RGB sensor that examines the scene’s brightness and color data then optimizes the camera’s performance prior to the actual exposure.

An entirely greater world of creativity will open up to photographers when adding versatile AF-S NIKKOR lenses to the equation. With a wide range of focal lengths and versatile features, AF-S NIKKOR lenses help to create a variety of photo perspectives to images and movies such as the ability to isolate subjects with a shallow depth of field or zoom close to the action from afar. Combining the D5100 D-SLR with NIKKOR lenses also delivers the sharpness essential for HD movies, and Nikon’s innovative Vibration Reduction (VR) II technology helps to eliminate the effects of camera shake.

New ME-1 Microphone
To address the needs of the ever growing community of shooters abandoning their video cameras for the versatility of a D-SLR, Nikon now offers the ME-1 stereo microphone. Engineered specifically for a
D-SLR, the new ME-1 microphone attaches to the hot shoe and has noise dampening components designed to minimize noise resulting from AF operation. The microphone also has a low-cut filter to reduce wind and other noise not already blocked by the wind screen. Designed with D-SLR users in mind, the ME-1 is powered through the camera, and also features a cable stop to keep the cable out of the way when using the camera, and reduce instances of noise from unintentional contact. Because it utilizes a standard 3.5mm stereo jack, the ME-1 is ideal for the D5100 and other Nikon HD movie capable D-SLR’s such as the D3s, D300s, D7000, as well as the COOLPIX P7000 and any other camera with a 3.5mm stereo input jack.

Price and Availability
The D5100 D-SLR camera will be available throughout the United States beginning mid April 2011 at an estimated selling price* of $799.95 for the body only, and $899.95 for the body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-55mm f/3.5-5.6G ED VR lens. The new Nikon ME-1 microphone will be available in April 2011, and will retail at an estimated selling price* of $179.95. For more information, please visit www.nikonusa.com.

*Estimated selling price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Press Contacts: MWW Group
Geoff Coalter | gcoalter@mww.com | 201-507-9500
Matt Kopacz | mkopacz@mww.com | 201-507-9500

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* Nikon D5100 Press Release



* Nikon Podcast 39 - WPPI 2011
* Nikon Podcast 38 - New Nikon COOLPIX Launch Spring 2011
* Nikon Podcast 37 - PhotoPlus 2010
* Nikon Podcast 33 Lenses
* Nikon Podcast 32 PMA



About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. In 2011, production of NIKKOR lenses surpassed 60 million, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @Nikon_USA.

Trinity - Anke Huber

"Trinity" ^©Anke Huber

Photographer Anke Huber is one you will probably miss, unless you just happen to stumble upon him in the mass that is the web. And it's a bit of an unfair search because Anke refers to himself as a blogger. Anke is the author of "Royal Tunbridge Wells."

In the above image, he captures Trinity Church in a three minute exposure with a 10-stop glass filter. Here he uses welding glass to properly expose the image. Welding glass can be had very cheap, less than $20USD in most cases. I have included a link below that Anke kindly provided. You can see more of Anke's captures on Flickr.

Links:
filters used (ebay link)

Vimeo for iPhone

No, really this time. Many remember last August when Vimeo announced it finally had iPhone support. This was huge for the industry. For some time, Vimeo.com has been a leader in video hosting sites for professionals. Now the deal is sweeter because Vimeo has launched their official iTunes App!

Unlike standard [iphone] browser support, the app allows you to capture and edit video, save, manage and share and that's just to name a few key features.

The best part about it is your Vimeo.com account is free and so is the app. They even allow you to set up a "Vimeo Plus" account for a minimal membership fee. Vimeo is an all around great community, so while you're there feel free to check out the Staff Picks.

Master Landscape Photographer - Peter Lik

"Tree of Hope" ^©2011 Peter Lik Fine Art Photography

Landscape Photography, just as any other form, requires a talent and ability to produce great exposures. One of the people that breathes landscapes is Australian Peter Lik. Peter has been living out his passion since the age of 8, and is sometimes referred to as the best Landscape Photographer of today. Most recently he has a deal with The Weather Channel to premiere his own show "From the Edge with Peter Lik" which premieres March 31st. Peter is also known as the man that sold the "Million Dollar Photo."

You will notice a few commonalities among "great" Photographers. They host workshops, offer tips and write books. Peter has published six books since 1997, including the popular "Spirit of America," which captures his 5 year journey throughout the 50 states. He delivers breathtaking prints with deep saturation and great detail. There is a bit of controversy surrounding his work and practices, but this comes with the title. Peter now shows his work in 13 galleries across the world. Be sure to check out more of Peter's well-known panoramic exposures.

"Super" Full Moon

Our Lunar Eclipse article is still one of the highest rated. So many of you may be excited about the "Super" full moon tonight. The moon will be visible as early as 3:00pm EST, and will appear 14% larger and 30% brighter in some places. The full moon will appear within 1 hour of perigee. The last time we saw a moon like this was in 2008 [above], though some sites claim 1993 since the moon appeared a full 4 hours away from perigee.

Tweet us your images from tonight @photogblogger and it could be the featured photo of this article! Also Teriq is accepting submissions over at SPACE.com. Email him at tmalik@space.com.

Futbol Backflip - Georgios Kefalas

Photo: Georgios Kefalas | Nikon D3

To capture an image is more than just remembering a setting, it is remembering a moment. This is especially true when photographing people. The environment the person is in speaks on their character, their interests, lifestyle, it's almost limitless. And this story is told almost always in less than 1 second! Switzerland based Photographer Georgios Kefalas values this and applies it to his work. He loves to capture emotion in his images, especially in sports. The above series is composed of 9 images captured by Lefalas of FC Basel player Carlitos after scoring a goal against FC Lucern.

If you have not experimented with Burst Mode on your camera, give it a try. Most lower end DSLRs are able to burst at least 3fps. This is great for capturing a series, but can also be useful when you are having trouble getting "the shot." Even when working with models, it may be helpful to shoot burst for a couple scenes. You will be amazed at the difference between a simple tilt of the chin in a portrait. Also, theoretically, the second shot during a burst will contain less camera shake, resulting in a sharper image.

To view more of Georgios' work, head over to Kefalas.ch.

Links:
Carlitos profile (German)
Original Article
The Nikon D3 on Amazon

Free Trial with liveBooks

liveBooks Homepage Video from liveBooks on Vimeo.

Here's another great freebie, well, only a free trial. "liveBooks" is one of the industries leading suppliers of Photography Website Designs. They provide everything from out of the box templates to fully customized solutions. Many pros frown on templates, but with Photography it is a little different. Also remember you are designing your site for your potential client, not for yourself. Today's client does not want to see all the flash and bells and most don't care for the music. The one exception is Wedding Photography.

With a website you first must consider the purpose. The purpose of a Photography website is to showcase photos. Sometimes content gets lost when navigating through a site, and if your photos are too hard to find, then your viewer will be saying "get lost" as well. If you first consider purpose, everything else such as SEO and load times become easier to fall into place. liveBooks offers clean solutions, and embodies the notion of keeping it simple. Some of their previous clients include industry greats such as Vincent Laforet and Art Wolfe.

Click here to check out liveBooks and learn about their free 14-day trial.

A Look Into Press Photography - Chris Gregory

"The Well: Covering Capitol Hill," is a great piece by freelance photographer Chris Gregory. Here, Chris uses a combination of stills and motion as he takes you inside the court room and tells you the story of the Press Photographer. Very few documentaries in this form leave you wanting more, Chris' is one of them.

Free Canon Picture Styles

Picture styles are becoming more and more popular, especially with amateur Photographers. For those that don't have an editing software, or just do this for fun, the idea is very intriguing. Most DSLR cameras include basic profiles such as portrait and landscape. And newer bodies such as the Canon 60D came with built in creative filters, similar to Nikon, with effects such as "Soft Focus" and the popular "Toy Camera Effect."

The best part about pictures styles is they are completely free (usually)! Canon provides styles linked below, and Photographer Kevin Wang kindly offers his picture styles on his Flickr. Even if you don't use them on serious shoots, it can be fun just to see what each does. Whether you plan on editing the photos or not, the most important thing is to start with a good capture. Don't shoot with the intention of "fixing it in post." Experiment and have fun!

LINKS:
Canon's custom color profiles with instructions
Kevin Wang picture profiles (direct link)
Canon's software download page

Discovery's Final Countdown

Photo: Bill Ingalls | NASA

Space shuttle Discovery is currently sitting on launchpad 39A, in Cape Canaveral, Fl. It is set to launch at 4:50pm EST, with a crew of six. This photo was taken near the launchpad last night by NASA's Bill Ingalls just after the Rotating Service Structure was rolled into position. This will be Discovery's 39th and final flight.

Watch the launch live at NASA.gov.

Building a Photography Studio: Yuri Arcurs

MicroStock Photographer Yuri Arcurs takes you on a tour of his new studio. He also gives a quick rundown of his equipment list, mostly consisting of ProFoto. Yuri is the world's top selling Microstock Photographer.

Ice Explosion - Shawn Thompson

Photo: Shawn Thompson | Canon 5D, 17-40L

Many Photographers strive to get their image to replicate reality. But in reality, a photos only job is to tell a story, and in most cases you have less than a second (shutter talk)! Rules are not meant to be followed, they are meant to be utilized. And sometimes making mistakes is what navigates us deeper into creativity. In the above exposure, Landscape Photographer Shawn Thompson captures an ice pileup at Lake Superior. To get proper exposure of the sky, Shawn covered part of the lens with his hand.

Shawn is also an Admin at OneDailyShot.com, a website that allows readers to submit their images for a chance to win free Nik Software.

Waterfall Photography - Sam Antonio

Photo: Sam Antonio | Canon PowerShot G1, Raw Mode, Handheld

I was tempted to start this description with "This beautiful piece captures..." because it is so reminiscent of an oil on canvas. Truly a work of art. Great Photographers are made by achieving a certain set of guidelines. For example, Industrial Photography worldwide can be described as clean, high dynamic range, wide DOF, sharp focus etc. But you can see the passion is still there when Photographers know how to and when not to use these rules. "A Trek to the Havasupai Nation Reservation" is an exposure by Wisconsin based Travel Photographer Sam Antonio.

You can see more of Sam's work and read about this image on his Flickr.

*Waterfall Photography Tips:

• Shoot in RAW mode when available, this helps preserve highlights
• Start with a slow shutter speed, around 1/30"
• Use a Tripod

Canon EOS T3i Announced

Monday, Canon officially announced the Canon EOS Rebel T3i. With the success of the Canon 5DMkii, 7D and T2i, the T3i should do just fine. Although the release of the 60D was not as exciting, obviously some of the features will be handed down to its' kin, the Rebel T3i.

I think the "Rebel" title should be dropped as it was used to define "entry level" cameras, and in my opinion, neither the T2i nor the T3i is an entry level camera. They may weigh in lower on the scale, but they are professional devices. Some of the new features of the T3i include a Vari-angle LCD screen and the ability to control your external flash using the camera. We still keep the same 18MP sensor found in the 7D, 60D and T2i. We also, of course, keep the 1080p recording, but with the added option of digital zoom. This is actual zooming, not to be confused with magnifying. If you grab the kit, you will also get the new 18-55mm F3.5-5.6 IS II.

The T3i is set to be released in March at a retail price of $799USD [body only].

PRESS RELEASE:

Canon Empowers The Masses To Take Better Photographs And Video With The New EOS Rebel T3i And EOS Rebel T3 Digital SLR Cameras
Two New Speedlites and a New EF-S Lens Round Out the Photographic Journey

LAKE SUCCESS, N.Y., February 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging, today announced the EOS Rebel T3i and EOS Rebel T3 Digital SLR Cameras, providing numerous intelligent high-end features at attractive price points. Complementing the award-winning EOS Rebel T2i DSLR, the EOS Rebel T3i, Canon's new flagship Rebel, offers fun and easy-to-use features for beginning photographers, and the EOS Rebel T3 provides a more attractively priced option for those looking to experience the pleasure of shooting with a DSLR camera. For the young enthusiast learning photography or the adult looking to learn more, Canon's new Feature Guide instruction will walk Rebel T3i users through functions and provide recommendations for various settings, a great hands-on learning tool. Point-and-Shoot users looking to step-up to a DSLR will enjoy the T3i camera's Scene Intelligent Auto mode, the most intuitive automatic camera mode available in a Canon Rebel camera to date, providing complete scene analysis and optimized settings. One of the most sought-after and requested features for a DSLR camera is now part of the new EOS Rebel T3i, Canon's three-inch Vari-Angle Clear View LCD screen, ideal for properly composing those difficult overhead shots. Comfortable, lightweight and affordable, Canon's new EOS Rebel T3 is a great camera to welcome users to the world of DSLR photography.

"Everyone today is a photographer, and for those looking to capture stunning images and do more with photography, Canon has introduced the EOS Rebel T3i and T3, offering the right balance of high-end features and easy-to-use guidance at a great price. So regardless of experience level or budget, there is a Canon Rebel camera suited to a user's needs and lifestyle," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

Boasting Canon's EOS HD video capture, 18-megapixel resolution, a three-inch Vari-Angle Clear View LCD screen, new Scene Intelligent Auto, new Video Snapshot technology and new Feature Guide instruction, the EOS Rebel T3i DSLR has plenty of reasons for Mom and Dad to step up to a DSLR. Canon's new EOS Rebel T3 DSLR camera offers users a small, lightweight interchangeable lens camera with fun options. The Rebel T3 features HD movie capture, 12-megapixel resolution and Canon's new informative Feature Guide, to help educate and instruct users as they capture great images, along with the inherent speed and low-light image quality of a Canon DSLR camera. Both new Rebel models are compatible with Canon's complete line of more than 60 Canon EF and EF-S lenses.
New EOS Feature Guide

Canon has also included a new EOS Feature Guide on both new Rebel cameras with an enhanced Quick Settings Screen that now includes detailed descriptions of camera settings. The EOS Feature Guide is designed to help first-time users and beginning enthusiasts better understand each camera setting with descriptions and guided recommendations for when to utilize certain settings. Along with an explanation of camera settings and modes, the Feature Guide includes easy-to-understand directions of how to use particular settings such as aperture adjustment in Canon's Creative Auto mode:
Screenshot of EOS Feature Guide for aperture adjustment in Creative Auto Mode.
Screenshot of EOS Feature Guide for aperture adjustment in Creative Auto Mode.
Basic + Function

Canon helps beginners get more creative with photography by letting even the most entry-level novice make camera adjustments with easy to understand setting options. In automatic shooting modes such as Portrait, Landscape, Close-up, Action and Night Scene, Canon users can access a quick menu screen to make adjustments as per the scene's ambience. When shooting in one of Canon's "Basic Zones" users can make adjustments as per the scene's lighting or scene type. An easy-to-read menu lets you select an ambience setting from Vivid, Soft, Warm, Intense, Cool, Brighter, Darker to Monochrome, while a Lighting setting allows users to select from Daylight, Shade, Cloudy, Tungsten light, Fluorescent light or Sunset.
Screenshot example of Canon's ambience setting adjustment while shooting in the Portrait mode.
Screenshot example of Canon's ambience setting adjustment while shooting in the Portrait mode.
Rebel T3i Digital SLR Camera
An A+ for Automatic Mode Automatic

Canon aims to make everyone a better photographer and has enhanced the capabilities of the Rebel T3i's automatic mode with new Scene Intelligent Auto technology, re-branding the green mode dial setting with a boxed "A+" design. This new camera setting now takes Picture Style into account as part of the camera's "Auto" setting. By analyzing faces, colors, brightness, movement, and contrast, the camera will dynamically adjust picture-style parameters to match the subject and control vividness. Previously, the automatic setting on a Rebel DSLR adjusted exposure, focus, white balance, and Auto Lighting Optimizer, however on the new Rebel T3i, Picture Style Auto is also taken into account as part of the new Scene Intelligent Auto technology. By incorporating this fifth parameter the camera more intelligently analyzes scenes and adjusts settings based on the subject matter being shot. So when the camera is photographing a face it will reproduce more natural skin tones or blue skies for more vivid landscapes, a flashy red car for more saturated color and evening sunsets for more expressive images.
Fun Rebel Features

For the first time in a Rebel DSLR, the new Rebel T3i features a large Vari-Angle three-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The large Vari-Angle screen helps compose low-angle or overhead shots whether capturing still images or Full HD video clips. Photographers will enjoy the convenience of capturing an overhead shot of a parade or low-angle shots of their children on the Vari-Angle screen.

Canon's new EOS Rebel T3i DSLR gives creative photographers some fun in-camera tools that enable users to apply Creative Filters to images after they have been shot without altering the original file. Canon's new Creative Image Filters, familiar to Canon PowerShot and EOS 60D users, help make a great image more dynamic by creating an altered copy of the image through any of Canon's four artistic filter options:

* The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
* The Grainy Black and White filter can give a different nostalgic perspective to any shot.
* Canon's "Toy Camera" filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
* Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point.

Each of these filters can be applied to a captured still image in-camera to create a second "filtered" JPEG version, leaving the original JPEG file unaffected.

Another addition to the camera's Live View function is Canon's new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon's supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images captured directly in-camera.
EOS HD Video Specs

The EOS Rebel T3i with Full HD video capture at 1920 x 1080 resolution in selectable frame rates of 24p, 25p or 30p will grab the attention of film students and independent filmmakers alike. The Rebel T3i incorporates two Canon proprietary technologies for rendering amazing HD video, a DIGIC 4 Imaging Processor and a large APS-C-sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Rebel T3i DSLR allows for three video recording modes - Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates.
EOS HD Video: Ready For A Close-Up

When shooting Full HD video, the Rebel T3i digitally provides additional zoom power without sacrificing quality. The new Movie Digital Zoom feature, a first for Canon DSLRs, allows users to achieve 3x to 10x magnification while shooting Full HD video. Unlike standard digital zoom for still images, Movie Digital Zoom crops the video image directly from the CMOS sensor at Full HD resolution to preserve video quality and still provide amazing additional telephoto power beyond just the lens. The Movie Digital Zoom feature is great for those times when the lens isn't enough to get you in close, but this feature provides the extra boost without a loss in video quality so a child's smile on stage is just as clear and bright.
EOS Video Snapshot

Canon's new EOS Video Snapshot feature borrows some innovation from Canon's VIXIA line of camcorders for capturing, assembling and playing fun-to-watch video clips. EOS Video Snapshot enables users to capture the video highlights of family vacations, parties or milestone events, with the same ease as taking photos. Consumers can now record a series of two-, four- or eight-second video clips automatically. The scenes are assembled by the camera into continuous Video Snapshot Album files for easy playback and can even be further edited in camera or through Canon's Video Snapshot Task software on a compatible personal computer for added flexibility and fun.
Valuable Additional Features

Along with the adjustable LCD screen, the new EOS Rebel T3i DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system. Capable of capturing kids at play or wildlife on the move, the Rebel T3i can shoot up to 34 consecutive full resolution JPEG still images or up to 11 consecutive RAW images at speeds up to 3.7-frames-per-second to either SD, SDHC or new extended capacity SDXC memory cards.

The Rebel T3i includes an ISO range from 100-6400, allowing it to capture beautiful images without the need for a flash during milestone events such as birthday celebrations, yet it still includes a built-in pop-up flash for those times requiring a little extra light. For the first time on a Rebel camera, the T3i features a built-in Integrated Speedlite Transmitter making it even easier to do multi-flash shoots and provide images with greater ambience. The new Integrated Speedlite settings are now even easier for beginners shooting with multiple flashes.
Pricing and Availability

The Canon EOS T3i Digital SLR camera is scheduled to be delivered to U.S. dealers in the beginning of March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon's new EF-S 18-55mm f/3.5-5.6 IS II zoom lens at an estimated retail price of $899.99. It will also be available in a second kit version with Canon's EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1099.00.
Rebel T3 Digital SLR Camera

Canon is happy to introduce a chic camera for beginners to ease into the exciting world of DSLR photography and videography; the new EOS Rebel T3 Digital SLR camera. The Rebel T3 is designed to be the camera that can be expertly handled by anyone and allows great-looking photos to be taken with ease and style. The Rebel T3 is excellent in low-light shooting situations and simple to handle and operate.

Putting big imaging power in a small body, the new EOS Rebel T3 DSLR features a 12.2-megapixel Canon CMOS image sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and a 63-zone dual-layer metering system. With individual pixels measuring roughly 10x larger than a pixel from a point-and-shoot camera sensor, the Rebel T3 is able to absorb more light with less noise, making it ideal for capturing high-quality images in dimly lit situations. The increased efficiencies in gathering light also make the camera better suited to freeze fast-moving objects such as capturing images of children at play at speeds up to 3-frames per second. Compatible with SD, SDHC or new extended capacity SDXC memory cards, the Rebel T3 also shoots 1280x720 HD movies for amazing image quality for both stills and video. The Canon Rebel T3 features an ISO range from 100-6400 for capturing beautiful images in various light settings while also including a built-in pop-up flash. Designed for easy operation through the camera's mode dial, users can go from taking great still images to great video quickly and easily, with simple to understand icons and buttons.
Pricing and Availability

The Canon EOS Rebel T3 Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of March, and will be offered in a kit with Canon's new EF-S 18-55mm f/3.5-5.6 II zoom lens at an estimated retail price of $599.99.
New Kit Lenses

Along with these DSLR cameras, Canon is also introducing a new kit lens, the EF-S 18-55mm f/3.5-5.6 IS II zoom lens, the standard kit lens for both the Rebel T3i kit configuration and the Rebel T3 kit configuration.

The new EF-S 18-55mm f/3.5-5.6 IS II zoom lens features the wide-angle to mid-range zoom flexibility with the advantage of Canon's optical lens-shift image stabilization system that yields up to a full four stops of image-shake correction. The version II of this lens includes new IS algorithms to distinguish between normal photographing and when the camera is panning to automatically provide the optimal level of image-shake correction.
New Canon Speedlite 320EX and Canon Speedlite 270EX II

The new Canon Speedlite 320EX is designed to provide DSLR users with a lightweight and versatile external flash solution. Along with the new Speedlite 320EX regular flash functions, it includes a built-in LED continuous light option that is capable of providing full-time illumination for short distances when shooting video on a DSLR or PowerShot digital camera. Ideally paired with the new EOS Rebel T3i, the new Speedlite 320EX enables bounce flash shooting with six positions including ceiling bounce for vertical shooting, and rear-wall bounce. The Speedlite 320EX also includes a new remote firing function and can remote fire any EOS DSLR camera that has a built-in wireless remote control function or Integrated Speedlite Transmitter such as the new Rebel T3i, EOS 60D, or EOS 7D DSLRs. The new Speedlite 320EX provides photographers with all the great lighting options Speedlites are known for with the added capability to shoot HD video with a full-time LED light option.

The new Canon Speedlite 270EX II, the successor to the popular 270EX Speedlite model, is a compact, lightweight external flash option for Canon cameras including select Canon PowerShot models. Ideal for use with the new EOS Rebel T3, the new Speedlite 270EX II uses only two AA batteries and enables bounce flash shooting with four position steps from 0 degrees to 90 degrees. Like Canon's high-end Speedlite flash models, the 270EX II allows users to control flash functions and input settings using the camera's LCD monitor. The flash also features a quick-lock mechanism and a metal mounting foot for secure and easy attachment and reliable contact. In addition to the features of 270EX model, the Speedlite 270EX II adds a remote firing function similar to that of the Speedlite 320EX. Both new Speedlites can also be used as slave flash units in E-TTL wireless autoflash configurations with other E-TTL compatible EOS and PowerShot cameras. Canon's Speedlite 270EX II is the new compact and versatile lighting tool for photographers empowering them with multiple light options, compact-size and portability.
Pricing and Availability

The Canon Speedlite 320EX is scheduled to be delivered to U.S. dealers in April for an estimated retail price of $249.99. The Canon Speedlite 270EX II is scheduled to be delivered to U.S. dealers in the beginning of April for an estimated retail price of $169.99.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with 2009 global revenues of US $35 billion and is listed as number six in the computer industry on Fortune Magazine's World’s Most Admired Companies 2010 list. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – "all people, regardless of race, religion or culture, harmoniously living and working together into the future" – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
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† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.